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The La Tene period is named after "the shallows" of Lake Neuchatel in Switzerland
where many Celtic artifacts and religious offerings where found.
In the fourth century B.C. the Celts were flourishing throughout central Europe.
In fact in 390 B.C. the Celts sacked Rome and the Celtic leader Brennus demanded
his weight in gold as a tribute.
Some say the Romans never forgave the Celts for this defeat.
The Romans under Julius Caesar and Hadrian devastated the Celts in later years.
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Although the box says 54 mm scale, this figure is really about 65 mm from the soles of the feet to top of the skull. So this figure will work as a display piece, but will not work as a figure for miniature wargames unless you want a giant ogre of a Celt on one team.
The La Tene period is one of great artistic advancement for the Celts.
Long before reaching Great Britain, the La Tene Celts developed the
swirling, twisting, intertwining style that is very popular Celtic art today.
Also great metal jewelery, weapons, and armor were sought and traded for centuries.
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It is recommended that you drill small holes and place pins to attach the hands. I recommend this after knocking off the left hand with the severed head four times! Notice the rather dynamic pose is leaning forward to the edge of the base. If you knock the figure forward, the rather heavy model lands directly on the severed head, and in my case cracking the super glue at the left wrist. Once pinned and glued, the wrist can support the entire weight of the model (and then some).
After the La Tene period came the great migrations of the Celts.
They traveled from central Europe north to Great Britain,
west to Spain, and east to Greece and Turkey.
The Turkish capital of Ankarra is situated on the site of an
ancient Celtic hill fort.
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Celtic helmets were known for their cheek guards and fancy crests. One Celtic helmet from Ciumesti has a metal bird with articulated wings. The wings flap up and down as the wearer runs or ride a horse.
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My second recurring problem with this figure was chipping of the acrylic paint. I must have gotten some finger oils on the primed figure. The hair and base paints kept flaking off as seen at the base of this miniature. I guess part of the problem is that the miniature sat for 6 months in its primed state waiting for me to complete other projects.
The Celts were also masters of textiles.
Although no dyed garments
survive, we know from historical texts that Celts loved
checked, striped, and plaid patterns.
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Most of the Celts of France and Germany lived in rectangular houses.
Celts of Britain and Spain lived in round houses.
Many archaeological sites have mapped out Celtic village
sites, and it is relatively easy to see the village layout
from the remnants of walls, fire place hearths, and post holes that
still exist to this day.
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The La Tene period occurred during the Bronze Age, and therefore this Celt has a big
bronze helmet.
This is before the Iron Age when ancient people discovered how to make furnaces and
fire hot enough to melt iron.
Also scale armor was available, but not mail armor.
People had not yet discovered how to make wire for mail rings.
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One question that has stayed with me since childhood is
"do you paint blood on your miniature's weapons?"
When I was younger, I always did.
Now almost every weapon I paint is clean and blood free.
Since this figure gazing into the face of his enemy, I thought
it would be good to paint blood on the axe and the victim's
neck to reflect the victorious moment in the battle.
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I hope you enjoyed reading the details of the painting
and photographing of a large miniature of a Celt from the La Tene period.
Perhaps these hints will help you get a head in painting ancient warriors.
More miniatures-related articles are at
Dan Becker's Miniatures and Models site.
Thanks for stopping by and reading about my miniatures.