An Exerpt from Confessions of Aleister Crowley on
Perception
We were at Burgo de Osma and the fiesta was in full swing. I enjoyed
every minute heartily. For the first time I was able to see a
bull-fight without the accretions of
snobbishness when the famous matador steps forth to exhibit his
skill in the presence of royalty,
and the game is not a game but an excuse for servility and
intrigue. It was all the difference
between house football at a public school and a cup final. I
was able to understand the direct
appeal which the sport makes to the primitive passions.
There was no excitement and no disgust for me. I had reached a
spiritual stage in which Sanna ---
pure perception --- had ousted Vedana --- sensation --- I had
learnt to look on the world without
being affected by events. I was able to observe what went on as
few people can, for the average
man's senses are deceived by his emotions. He gets things out
of proportion and he exaggerates
them even when he is able to appreciate them at all. I made up
my mind that it should be an
essential part of my system of initiation to force my pupils to
be familiar with just those things
which excite or upset them, until they have acquired the power
of perceiving them accurately
without interference from the emotions. It is all a branch of
the art of concentration, no doubt; but
it is one which has been very much neglected, and it is of
supreme importance when the aspirant
arrives at the higher levels, where it is a question of "making
no difference between any one thing
and any other thing", and uniting oneself with each and every
possible idea. For as long as anything
soever escapes assimilation there remains separateness and
duality, or the potentiality of such. Evil
can only be destroyed by "love under will"; and so long as it
is feared and hated, so long as we
insist on attributing a real and irreconcilable existence to
it, so long will it remain evil for us. The
same of course applies to what we call "good". Good is itself
evil in so far as it is separate from
other ideas.
Through this course of initiation I was brought into great
happiness. I was able to perceive a fact
which I had never guessed: that blood on the shoulder of a bull
in the Spanish summer sunlight is
the most beautiful colour that exists. In the whole of my
memories I had only one fact to set against
it; the green of a certain lizard which ran across my path on a
hillside in Mexico. It is, in fact, very
rare to see pure colours in nature; they are nearly always
mixed or toned down. But when they do
appear they are overwhelming.