Modern Postcards

MODERN GUATEMALAN POSTCARDS

In the last 20 to 25 years, the so-called "modern" or "continental" postcard has firmly established itself as the format of choice by publishers and the buying public. Almost every new postcard sold today is 4 x 6 inches in size (approximately 10 by 15-1/2 centimeters). Major Guatemalan publishers like Munesa, La Lectura and Librería Progreso have failed, unfortunately, to credit photographers whose work they reproduce and sell.

Ricardo Mata, for La Helvetia Bookstores and shops that sold paper goods or curios often published or distributed a line of postcards. One such librería/papelería that conscientiously credited the photographer was "La Helvetia", owned by F. Pascual e Hijos on Avenida Sur in Guatemala City: Fotocolors by Ricardo Mata comprise a series of 4 x 6" postcards published by La Helvetia. Early Mata postcards have deckle, or ragged, edges; later ones are straight.

Estela Maya (Ruinas de Ceibal, Petén)	Pirámide Maya Tikal	Quetzal	Hotel Maya Inn Chichicastenango

Antigua Vista Aérea	Museo Colonial, Antigua	Músico y Marimba de Chichicastenango	Tejedora con Telar Típico

Lavanderas de Santiago Atitlán	Indígenas de Chichicastenango	Tejedora de Santiago Atitlán	Tejedora con Telar Típico

Diego Molina Freire Litografías Modernas & Cía. Ltda. printed Molina's 4 x 6" postcards that bear copyrights in the 1980s. Guatemala Facil & Cía. Ltda. is cited as publisher, but later, that name is replaced by ARTEMIS-EDINTER at the same address and phone in Guatemala City. Molina's work is also published in books, including CUANDO HABLAN LAS CAMPANAS (1989), GUATEMALA SENSACIONAL (1986) and LA GUATEMALA INCREÍBLE (1995).

Semana Santa en Guatemala Procesión en la Antigua	Baile de La Conquista Guatemala, C.A.	Familia fabricante de marimbas, Santa Eulalia Huehuetenango	Día de Mercado en Chichicastenango

Daniel Hernández-Salazar
(born 1956 in Guatemala)

A former photojournalist for the Associated Press, Reuters and Agence France Presse (AFP), Daniel Hernández-Salazar photographed some 60 dramatic views that were published as postcards by Orfeo Ediciónes.


Municipalidad y Teatro Nacional Ciudad de Guatemala (1997)	Lago de Atitlán Sololá (2000)	Vista Aérea de la Iglesia de La Merced, Antigua (1996)

Even more dramatic are his humanistic photographs of the civil war. Hernández-Salazar now works as a widely exhibited and honored artist, "to call public attention to what has happened, so that it can never happen again." At least two of his poignant images have appeared on postcards publicizing exhibitions in 1998 and 2001 at the Aldo Castillo Gallery in Chicago, Illinois:

HernandezArtHoriz.jpg (40495 bytes)

From a triptych entitled
No Veo, No Oigo...Me Callo

HernandezArtVert.jpg (32575 bytes)

Mater Dolorosa

Photographs and articles about the artist are found on his web site at http://www.geocities.com/SoHo/Studios/6656/