THE WORKS OF ALEISTER CROWLEY Vol. I ASCII VERSION
February 18, 1993 e.v. key entry by Bill Heidrick, T.G. of O.T.O.
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February 18, 1993 e.v. key entry by Bill Heidrick, T.G. of O.T.O.
January 4, 1994 e.v. proofed and conformed to the "Essay Competition Copy"
edition of 1905 e.v. by Bill Heidrick T.G. of O.T.O.
February 18, 1993 e.v. key entry by Bill Heidrick, T.G. of O.T.O.
January 8, 1994 e.v. proofed and conformed to the "Essay Competition Copy"
edition of 1905 e.v. by Bill Heidrick T.G. of O.T.O.
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THE WORKS OF
ALEISTER CROWLEY
VOLUME I
ESSAY COMPETITION COPY
THE WORKS
OF
ALEISTER CROWLEY
"{variation: WITH PORTRAITS}"
VOLUME I
FOYERS
SOCIETY FOR THE PROPAGATION OF
RELIGIOUS TRUTH
1905
["All rights reserved"]
Printed by BALLANTYNE, HANSON & Co.
At the Ballantyne Press
{ILLUSTRATION ON PAGE FACING AND JUST BEFORE TITLE in the delux edition:
This is a photo of Crowley in his 20s, frontal with tailed bow tie and signed
"Aleister Crowley" in block below.}
P R E F A C E
IT is not without some misgiving that I have undertaken to edit the collected writings of Aleister Crowley. The task has been no easy one. His numerous reference to the obscurer bypaths of classical mythology, and his not less frequent allusions to the works of Qabalistic writers, have demanded much elucidation. In making the explanatory notes, I have endeavoured to strike a golden mean between the attitude of Browning, when he published "Sordello," and that of Huxley, who took it for granted that his readers were entirely ignorant: and only such passages or phrases have been annotated as were thought likely to present any difficulty to the student of ordinary intelligence.
It is no part of the duty of an editor to assume the role of critic. But I must explain that I am conscious of Crowley's weaknesses. They are in the main the outcome of his astonishing perversity; nowhere more strikingly demonstrated than in "The Poem," throughout which there is a struggle for the supremacy between his sense of the ridiculous and his sense of the sublime.
I am also aware that his views on religious matters will be found unpalatable in some quarters. But it should be remembered that these writings represent the ideas of a man of an unconventional mind brought up in conventional surroundings. When he came to man's estate he not unnaturally revolted: and the result has been, as in many such cases, that his search for the truth has led him to investigate the religious beliefs of many nations; nor have those investigations tended to lessen the gulf which separates him from the orthodox point of view.
The edition is authorized, and, as such, complete: therein are contained all the important works of Aleister Crowley.<
I.B.
LONDON, "March" 1905.
CONTENTS OF VOLUME I.
ACELDAMA -
PAGE
DEDICATION . . . . . . . . 1
ACELDAMA . . . . . . . . 2
THE TALE OF ARCHAIS -
THE AUTHOR'S BALLADE OF HIS TALE . . . . 7
THE TALE OF ARCHAIS -
PART I. . . . . . . . . 7
" II. . . . . . . . . 10
" III. . . . . . . . . 16
" IV. . . . . . . . . 21
EPILOGUE . . . . . . . . 27
SONGS OF THE SPIRIT -
DEDICATION . . . . . . . . 29
THE GOAD . . . . . . . . 30
IN MEMORIAM A. J. B. . . . . . . 31
THE QUEST . . . . . . . . 31
THE ALCHEMIST . . . . . . . 32
SONNETS TO NIGHT . . . . . . . 34
THE PHILOSOPHER'S PROGRESS . . . . . 34
SONNET . . . . . . . . 36
AN ILL DREAM . . . . . . . 36
THE PRIEST SPEAKS. . . . . . . 37
THE VIOLET'S LOVE-STORY. . . . . . 38
THE FAREWELL OF PARACELSUS TO APRILE . . . 39
A SPRING SNOWSTORM IN WASTDALE . . . . 43
IN NEVILLE'S COURT, TRINITY COLLEGE, CAMBRIDGE . . 44
SUCCUBUS . . . . . . . . 45
A RONDEL . . . . . . . . 45
NIGHTFALL . . . . . . . . 46
THE INITIATION . . . . . . . 46 {viiA}
ISAIAH . . . . . . . . 47
THE STORM . . . . . . . . 48
WHEAT AND WINE . . . . . . . 49
A RONDEL . . . . . . . . 49
THE VISIONS OF THE ORDEAL . . . . . 50
POWER. . . . . . . . . 51
VESPERS . . . . . . . . 52
BY THE CAM . . . . . . . . 53
ASTROLOGY . . . . . . . . 53
DAEDALUS . . . . . . . . 54
EPILOGUE . . . . . . . . 55
THE POEM -
SCENE I. . . . . . . . . 57
" II. . . . . . . . . 58
" III. . . . . . . . . 60
" IV. . . . . . . . . 62
JEPHTHAH -
PRELIMINARY INVOCATION . . . . . . 64
JEPHTHAH . . . . . . . . 66
MYSTERIES -
THE FIVE KISSES -
I. AFTER CONFESSION . . . . . . 90
II. THE FLIGHT . . . . . . . 90
III. THE SPRING AFTER . . . . . . 93
IV. THE VOYAGE SOUTHWARD . . . . . 95
V. THE ULTIMATE VOYAGE . . . . . 96
THE HONOURABLE ADULTERERS -
I. . . . . . . . . . 98
II. . . . . . . . . . 100
THE LEGEND OF BEN LEDI . . . . . . 101
A DESCENT OF THE MOENCH. . . . . . 102
IN A CORNFIELD . . . . . . . 103 {viiB}
DREAMS . . . . . . . . 103
THE TRIUMPH OF MAN . . . . . . 105
THE DREAMING OF DEATH . . . . . . 108
A SONNET IN SPRING . . . . . . 109
DE PROFUNDIS . . . . . . . 109
TWO SONNETS -
I. "My soul is aching," &c.. . . . . 113
II. "The constant ripple," &c. . . . . 113
A VALENTINE. . . . . . . . 113
ODE TO POESY . . . . . . . 114
TWO SONNETS -
I. "Self-damned, the leprous moisture." &c. . . 115
II. "Lust, impotence," &c. . . . . . 116
BESIDE THE RIVER . . . . . . . 116
MAN'S HOPE . . . . . . . . 116
SONNET . . . . . . . . 117
A WOODLAND IDYLL . . . . . . . 117
PERDURABO . . . . . . . . 118
ON GARRET HOSTEL BRIDGE. . . . . . 118
ASTRAY IN HER PATHS . . . . . . 119
SONNET TO CLYTIE . . . . . . . 120
A VALENTINE, '98 . . . . . . . 120
PENELOPE . . . . . . . . 121
A SONNET OF BLASPHEMY . . . . . . 122
THE RAPE OF DEATH. . . . . . . 122
IN THE WOODS WITH SHELLEY . . . . . 124
A VISION UPON USHBA . . . . . . 125
ELEGY. . . . . . . . . 127
EPILOGUE . . . . . . . . 127
JEZEBEL, AND OTHER TRAGIC POEMS -
DEDICACE . . . . . . . . 129
PERDITA . . . . . . . . 129
JEZEBEL. PART I.. . . . . . . 129
" " II.. . . . . . . 131
CONCERNING CERTAIN SINS. . . . . . 132
A SAINT'S DAMNATION . . . . . . 132
LOT . . . . . . . . . 133
EPILOGUE . . . . . . . . 135
AN APPEAL TO THE AMERICAN REPUBLIC . . . . 136 {viiiA}
THE FATAL FORCE . . . . . . . 141
THE MOTHER'S TRAGEDY. . . . . . . 154
THE TEMPLE OF THE HOLY GHOST -
I. THE COURT OF THE PROFANE -
PROLOGUE. - OBSESSION . . . . . 166
FAME . . . . . . . . 167
THE MOTHER AT THE SABBATH . . . . . 167
THE BRIDEGROOM . . . . . . . 168
THE ALTAR OF ARTEMIS . . . . . . 169
THE COURSE OF TRUE LOVE . . . . . 171
ASMODEL . . . . . . . . 171
MADONNA OF THE GOLDEN EYES . . . . . 173
LOVE AT PEACE . . . . . . . 174
MORS JANUA AMORIS . . . . . . 175
THE MAY QUEEN . . . . . . . 177
SIDONIA THE SORCERESS. . . . . . 178
THE GROWTH OF GOD . . . . . . 178
TO RICHARD WAGNER . . . . . . 179
THE TWO EMOTIONS . . . . . . 179
THE SONNET. I.. . . . . . . 180
" II.. . . . . . . 180
WEDLOCK. A SONNET . . . . . . 180
SONNET FOR GERALD KELLY'S DRAWING OF JEZEBEL . . 180
MANY WATERS CANNOT QUENCH LOVE . . . . 181
COENUM FATALE . . . . . . . 181
THE SUMMIT OF THE AMOROUS MOUNTAIN . . . 181
CONVENTIONAL WICKEDNESS . . . . . 181
LOVE'S WISDOM . . . . . . . 182
THE PESSIMIST'S PROGRESS . . . . . 182
NEPHTHYS . . . . . . . . 182
AGAINST THE TIDE . . . . . . 182
STYX . . . . . . . . 183
LOVE, MELANCHOLY, DESPAIR . . . . . 183
II. THE GATE OF THE SANCTUARY -
TO LAURA . . . . . . . . 184
THE LESBIAN HELL . . . . . . 185 {viiiB}
THE NAMELESS QUEST . . . . . . 186
THE REAPER . . . . . . . 193
THE TWO MINDS . . . . . . . 193
THE TWO WISDOMS. . . . . . . 194
THE TWO LOVES . . . . . . . 194
A RELIGIOUS BRINGING-UP . . . . . 194
THE LAW OF CHANGE . . . . . . 194
SYNTHESIS. . . . . . . . 195
III. THE HOLY PLACE -
THE NEOPHYTE . . . . . . . 196
SIN: AN ODE . . . . . . . 197
THE NAME . . . . . . . . 199
THE EVOCATION . . . . . . . 200
THE ROSE AND THE CROSS . . . . . 202
HAPPINESS. . . . . . . . 202
THE LORD'S DAY . . . . . . . 202
CERBERUS . . . . . . . . 202
IV. THE HOLY OF HOLIES -
THE PALACE OF THE WORLD . . . . . 204
THE MOUNTAIN CHRIST . . . . . . 205
TO ALLAN MACGREGOR . . . . . . 207 {end col. A}
THE ROSICRUCIAN. . . . . . . 207
THE ATHANOR . . . . . . . 208
THE CHANT TO BE SAID OR SUNG UNTO OUR LADY ISIS . 211
A LITANY . . . . . . . . 211
CARMEN SAECULARE -
PROLOGUE - THE EXILE . . . . . . 214
"CARMEN SAECULARE" . . . . . . 215
IN THE HOUR BEFORE REVOLT . . . . . 218
EPILOGUE . . . . . . . . 220
TANNHAUSER -
DEDICATION . . . . . . . . 222
PREFACE . . . . . . . . 223
TANNHAUSER . . . . . . . . 226
ACT I. . . . . . . . . 226
" II. . . . . . . . . 230
" III. . . . . . . . . 239
IV. . . . . . . . . 247
V. . . . . . . . . 259 {end col. B}
{full page below}
EPILOGUE. . . . . . . . . 263
APPENDIX . . . . . . . . 265
TABLE OR CORRESPONDENCES . . . . "End of volume"<
{ix}
ACELDAMA
A PLACE TO BURY STRANGERS IN.
A PHILOSOPHICAL POEM.
1898.
[The poems collected in Volume I. comprise the whole of the first period of Crowley's life; namely, that of spiritual and mystic enthusiasm. The poet himself would be inclined to class them as Juvenilia. A few other early poems appear in "Oracles," Vol. II., chosen as illustrative of the progress of his art. The great bulk of the early MSS. from 1887 to 1897 have been sedulously sought out and destroyed. They were very voluminous.] {col. start below}
ACELDAMA
"I contemplate myself in that dim sphere
Whose hollow centre I am standing at
With burning eyes intent to penetrate
The black circumference, and find out God."
"Except a corn of wheat fall into the ground and die, it abideth alone; but if it die, it bringeth forth much fruit. He that loveth his life shall lose it; and he that hateth his life in this world shall keep it unto life eternal." -- ST. JOHN xii, 24, 25.
It was a windy night, that memorable seventh night of December, when this philosophy was born in me. How the grave old Professor<
"And falling headlong, he burst asunder in the midst, and all his bowels gushed out. ... Insomuch as that field is called in their proper tongue, Aceldama, that is to say -- the field of blood." -- ACTS i. 18,19. {1A}
DEDICATION
DIVINE PHILOSOPHER!<<1>> Dear Friend!<<2>>
Lover and Lord!<<3>> accept the verse
That marches like a sombre hearse,
Bearing truth's coffin, to the end.
Let man's distorted worships blend
In this, the worthier and the worse,
And penetrate the primal curse.
Alas! They will not comprehend.
Accept this gospel of disease
In wanton words proclaimed, receive
The blood-wrought chaplet that I weave.
Take me, and with thine infamies
Mingle my shame, and on my breast
Let thy desire achieve the rest.
<<1. Von Eckartshausen>>
<<2. An adept who was in correspondence with the author.>>
<<3. Christ.>>
ALCELDAMA.
"Six months and I sit still and hold
In two cold palms her cold two feet;
Her hair, half grey half ruined gold,
Thrills me and burns me in kissing it.
Love bites and stings me through to see
Her keen face made of sunken bones.
Her worn-out eyelids madden me,
That were shot through with purple once."
SWINBURNE, "The Leper,"
"Poems and Ballads," 1866. {1B}
ALCELDAMA.
DARK night, red night. This lupanar<<1>>
Has rosy flames that dip, that shake,
Faint phantoms that disturb the lake
Of magic mirror-land. A star
Like to a beryl, with a flake
Of olive light
Struck through its dull profound, is steadfast in the night.
<<1. Brothel.>>
I.
I AM quite sane, quite quiet. Sober though
Is as a woof to my mad dreams. My brain
Beats to the double stroke; the double strain
Warps its gray fibres; all the dream is wrought
A spider-tapestry; the old blood-stain
Spreads through the air
Some hot contagious growth to slay men unaware.
II.
I have discovered God! His ghastly way
Of burning ploughshares for my naked feet
Lies open to me -- shall I find it sweet
To give up sunlight for that mystic day
That beams its torture, whose red banners beat
Their radiant fire
Into my shrivelled head, to wither Love's desire?
III.
I was a child long years ago, it seems,
Or months it may be -- I am still a child!
They pictured me the stars as wheeling wild
In a huge bowl of water; but my dreams
Built it of Titan oak, its sides were piled
of fearful wood
Hewn from God's forests, paid with sweat and tears and blood. {2A}
IV.
I crept, a stealthy, hungry soul, to grasp
Its vast edge, to look out to the beyond;
To know. My eyes strained out, there was no bond,
No continuity, no bridge to clasp.
No pillars for the universe. Immond,<<1>>
Shapeless, unstayed,
Nothing, Nothing, Nothing, Nothing! I was afraid.
<<1. Unclean -- from the French "immonde.">>
V.
That was my sanity. Brought face to face
Suddenly with the infinite, I feared.
My brain snapped, broke; white oarage-wings<<1>> appeared
On stronger shoulders set, a carapace,
A chariot. I did essay that wierd
Unmeasured dome;
Found in its balance, peace; found in its silence, home.
<<1. "Cf." Virgil, "Aeneid," vi. 20.>>
VI.
That was my madness. On bright plumage poised
I soared, I hovered in the infinite;
Nothing was everything; the day was night,
Dark and deep light together, that rejoiced
In their strange wedlock. Marvellously white
All rainbows kissed
Into one sphere that stood, a circumambient mist.
VII.
I climbed still inwards. At the moveless point
Where all power, light, life, motion concentrate,
I found God dwelling. Strong, immaculate,
He knew me and he loved! His lips anoint
My lips with love; with thirst insatiate
He drank my breath,
Absorbed my life in His, dispersed me, gave me death. {2B}
VIII.
This is release, is freedom, is desire;
This is the one hole that a man may gain;
This is the lasting ecstasy of pain
That fools reject, the dread, the searching fire
That quivers in the marrow, that in vain
Burns secretly
The unconsumed bush where God lurks privily.
IX.
This was a dream -- and how may I attain?
How make myself a worthy acolyte?
How from my body shall my soul take flight,
Being constrained in this devouring chain
Of selfishness? How purge the spirit quite
Of gross desires
That eat into the heart with their corrupting fires?
X.
Old Buddha gave command; Jehovah spake;
Strange distant gods that are not dead to-day
Added their voices; Heaven's desart way
Man wins not by by sorrow -- let him break
The golden image with the feet of clay!<<1>>
Let him despise
That earthen vessel which the potter marred<<2>> -- and rise!
<<1. "Vide" Daniel ii.>>
<<2. Oriental symbol for the body.>>
XI.
As life burns strong, the spirit's flame grows dull;
The ruddy-cheeked sea-breezes shame its spark;
Wan rainy winds of autumn on the dark
Leafless and purple moors, that rage and lull
With a damned soul's despair, these leave their mark,
Their brand of fire
That burns the dross, that wings the heart to its desire. {3A}
XII.
No prostitution may be shunned by him
Who would achieve this Heaven. No Satyr-song.
No maniac dance shall ply so fast the thong
Of lust's imagining perversely dim
That no man's spirit may keep pace, so strong
Its pang must pierce;
Nor all the pains of hell may be one tithe as fierce.
XIII.
All degradation, all sheer infamy,
Thou shalt endure. Thy head beneath the mire
And dung of worthless women shall desire
As in some hateful dream, at last to lie;
Woman must trample thee till thou respire
That deadliest fume;<<1>>
The vilest worms must crawl, the loathliest vampires gloom.
<<1. The concrete expression of the horror of the individual.>>
<<2. Morbid imaginations, which ever torment the traveller upon the path of asceticism.>>
XIV.
Thou must breathe in all poisons; for thy meat,
Poison; for drink, still poison; for thy kiss,
A serpent's lips! An agony is this
That sweats out venom; thy clenched hands, thy feet
Ooze blood, thine eyes weep blood; thine anguish is
More keen than death.
At last -- there is no deeper vault of hell beneath!
XV.
Then thine abasement bringeth back the sheaves
Of golden corn of exaltation.
Ripened and sweetened by the very sun {3B}
Whose far-off fragrance steals between the leaves
Of the cool forest, filling every one
That reaps yon gold
With strange intoxications mad and manifold.
XVI.
Only beware gross pleasure -- the delight
Of fools: the ecstasy, the trance of love --
Life's atom-bonds must strain -- aye, and must move,
And all the body be forgotten quite,
And the pure soul flame forth, a deathless dove,
Where all worlds end!
If thou art worthy God shall greet thee for a friend.
XVII.
I am unworthy. In the House of Pain
There are ten thousand shrines. Each one enfolds
A lesser, inner, more divine, that holds
A sin less palpable and less profane.
The inmost is the home of God. He moulds
Infinity,
The great within the small, one stainless unity!
XVIII.
I dare not to the greater sins aspire;
I might -- so gross am I -- take pleasure in
These filthy holocausts, that burn to sin
A damned incense in the hellish fire
Of human lust -- earth's joys no heaven may win;
Pain holds the prize
In blood-stained hands; Love laughs, with anguish in His eyes.
XIX.
These little common sins may lead my lust
To more deceitful vices, to the deeds
At whose sweet name the side of Jesus bleeds {4A}
In sympathy new-nurtured by the trust
Of man's forgiveness that his passion breeds --
These petty crimes!
God grant they grow intense in newer, worthier times!
XX.
Yet -- shall I make me subject to a pang
So horrible? O God, abase me still!
Break with Thy rod my unrepentant will,
Lest Hell entrap me with an iron fang!
Grind me, most high Jehovah, in the mill
That grinds so small!
Grind down to dust and powder Pride of Life -- and all!
XXI.
In every ecstasy exalt my heart;
Let every trance make loose and light the wings
My soul must shake, ere her pure fabric springs
Clothed in the secret dream-delights of Art
Transcendant into air, the tomb of Things;
Let every kiss
Melt on my lips to flame, fling back the gates of Dis!<<1>>
<<1. A name contracted from Dives, sometimes given to Pluto and hence also the the lower world. But "vide" Dante, "Inferno," Canto xxxiv.>>
XXII.
Give me a master! not some learned priest
Who by long toil and anguish has devised
A train of mysteries, but some despised
Young king of men, whose spirit is released
From all the weariness, whose lips are prized
By men not much --
Ah! let them only once grow warm, my lips to touch.
XXIII.
Ah! under his protection, in his love,
With my abasements emulating his,
We surely should attain to That which Is, {4B}
And lose ourselves, together, far above
The highest heaven, in one sweet lover's kiss,
So sweet, so strong,
That with it all my soul should unto him belong.
XXIV.
An ecstasy to which no life responds,
Is the enormous secret I have learned;
When self-denial's furnace-flame has burned.
Through love, and all the agonizing bonds
That hold the soul within its shell are turned
To water weak;
Then may desires obtain the cypress crown they seek.
XXV.
Browning attained, I think, when Evelyn Hope
Gave no response to his requickening kiss;
In the brief moment when exceeding bliss
Joined to her sweet passed soul his soul, its scope
Grew infinite for ever. So in this
Profane desire
I too may join my song unto his quenchless quire.
XXVI.
When Hallam died, did Tennyson attain
When his warm kisses drew no answering sigh
From that poor corpse corrupted utterly.
When four diverse sweet dews exude to stain
With chaste foul fervour the cold canopy?
Proud Reason's sheath
He cast away; the sword of Madness flames beneath!
XXVII.
Read his mad rhymes; their sickening savour taste;
Bathe in their carnal and depraving stream:
Rise, glittering with the dew-drops of his dream, {5A}
And glow with exaltation; to thy waist
Gird his gold belt; the diamond settings gleam
With fire drawn far
Through the blue suddering vault from some amazing star.
XXVIII.
Aubrey<<1>> attained in sleep when he dreamt this
Wonderful dream of women, tender child
And harlot, naked all, in thousands piled
On one hot writhing heap, his shameful kiss
To shudder through them, with lithe limbs defiled
To wade, to dip
Down through the mass, caressed by every purple lip.
<<1. Aubrey Beardsley. The dream is authentic.>>
XXIX.
Choked with their reek and fume and bitter sweat
His body perishes; this life is drained;
The last sweet drop of nectar has not stained
Another life; his lips and limbs are wet
With death-dews! Ha! The painter has attained
As high a meed
As his who first begot sweet music on a reed.
XXX.
And O! my music is so poor and thin!
I am poor Marsyas<<1>>; where shall I find
A wise Olympas and a lover kind
To teach my mouth to sing some secret sin,
Faint, fierce, and horrible; to tune my mind,
And on a reed
Better beloved to bid me discourse at his need? {5B}
<<1. Marsyas, a Satyr, inventor of the pastoral flute; Olympas, his favourite pupil. It will be seen that the names are carelessly transposed.>>
XXXI.
Master!<<1>> I think that I have found thee now:
Deceive me not, I trust thee, I am sure
Thy love will stand while ocean winds endure.
Our quest shall be our quest till either brow
Radiate light, till death himself allure
Our love to him
When life's desires are filled beyond the silver brim.
<<1. Christ.>>
XXXII.
Here I abandon all myself to thee,
Slip into thy caresses as of right,
Live in thy kisses as in living light,
Clothed in thy love, enthroned lazily
In thine embrace, as naked as the night,
As love and lover
More pure, more keen, more strong than all my dreams discover. {6A}
EPILOGUE.
My heavy hair upon my olive skin
("Baise la lourde criniere!")
Frames with its ebony a face like sin.
My heavy hair!
You touched my lips and told me I was fair;
It was your wickedness my love to win.
("Baise la lourde criniere!")
Your passion has destroyed my soul -- what care
If you desire me, and I hold you in
My arms a little, and you love for lair
My heavy hair!
It is fatal web your fingers spin.
("Baise la lourde criniere!")
Let our love end as other loves begin,
Or, slay me in a moment, unaware!
Nay? Kiss in double death-pang, if you dare!
Or one day I will strangle you within
My heavy hair! {6B}
THE TALE OF ARCHAIS.
A ROMANCE IN VERSE.
1898.
TO
THE WHITE MAIDENS OF ENGLAND
THIS TALE OF GREECE IS DEDICATED.
THE AUTHOR'S BALLADE OF
HIS TALE.
Go to the woodlands, English maid,
Or where the downs to seaward bend,
When autumn is in gold arrayed,
Or spring is green, or winters send
A frosty sun, or summers blend
Their flowers in every dainty dye,
And take, as you would take a friend,
This pleasant tale of Thessaly.
Lie on the greensward, while the shade
Shortens as morning doth ascend
The gates of Heaven, and bud and blade
Laugh at the dawn, while breezes lend
Their music, till you comprehend
The meaning of the world, and sigh --
Yet love makes happy in the end
This pleasant tale of Thessaly.
Turn from my book, the poet prayed,
And look to Heaven, an hour to spend
Before His throne who spake and bade
The fountains of the deep descend
And bade the earth uproot and rend
To pitch like tents the mountains high,
And gave him language who hath penned
This pleasant tale of Thessaly.
ENVOI.
Fair maiden, who hast rightly weighed
The message of the morning sky,
Think kindly of the man who made
This pleasant tale of Thessaly. {7A}
THE TALE OF ARCHAIS.
PART I.
SHE lay within the water, and the sun
Made golden with his pleasure every one
Of small cool ripples that surrounded her throat,
Mix with her curls, and catch the hands that float
Like water-lilies on the wave; she lay
And watched the silver fishes leap and play,
And almost slept upon the soughing breast
That murmured gentle melodies of rest,
And touched her tiny ear, and made her dream
Of sunny woods above the sacred stream
Where she abode (her home was cool and dark
That no small glow-worm with his tender spark
Might lighten till the moon was down, a nook
Far from the cool enticements of the brook,
And hidden in the boskage close and green.)
So dreamed she, smiling like a faery queen;
So the bright feet and forehead of the breeze
Lured her to sleep, and shook the morning trees
Clear of the dewfall, and disturbed the grass,
So that no rustle, should a serpent pass,
Might rouse her reverie. So then, behold,
Chance leant from Heaven with feet and face of gold,
And hid the iron of her body bare
With such warm cloudlets as the morning air {7B}
Makes to conceal the fading of the stars:
Chance bowed herself across the sunny bars,
And watched where through the silence of the lawn
Came Charicles, the darling of the dawn,
Slowly, and to his steps took little heed;
He came towards the pool, his god-wrought reed
Shrilling dim visions of things glorious,
And saw the maiden, that disported thus,
And worshipped. Then in doubt he stood, grown white
And wonderful, with passion's perfect might
Firing his veins and tinging in his brain,
He stood and whitened, and waxed red again.
His oat<<1>> unheeded glanced beneath the wave,
His eyes grew bright and burning, his lips clave --
A sudden cry broke from him: from the height
His swift young body, like a ray of light,
Divides the air, a moment, and the pool
Flings up the spray like dew, divinely cool:
A moment, and he flashed towards her side
And caught her trembling, as a tender bride
At the first kiss; he caught her, and compelled
Her answer, in his arms securely held.
And she no word might say; her red lips quailed,
Her perfect eyelids drooped, her warm cheek paled,
A tear stole over it. His lips repent
With vain weak words -- O iron firmament!
How vain, how cold are words! -- his lips repeat
Their faint sweet savour, but her rosy feet
Held in his hands and touched with reverent lips
Revived her soul more perfectly. Soon slips
Her gentle answer; now her timid eyes
So tender with the lifted lashes rise
To meet his gaze.
He spoke: "Have pity on me
Who wronged thee for my perfect love of thee, {8A}
My perfect love, O love! for strange and dread
Delights consume me; I am as one dead
Beating at Heaven's gate with nerveless wing,
Wailing because the song the immortals sing
Is so fast barred behind the iron sky.
Speak but thine anger quickly; let me die!"
"But I forgive thee, thou art good and kind."
"O love! O love! O mistress of my mind,
You love me!" "Nay, I was a while afraid,
Being so white and tender; for a maid
I lived alone with flower and brook, nor guessed
Another dwelt within the quiet nest
That these woods build me; hold my trembling hand,
Teach me to love; I do not understand."
He clasped her to him, but no word might say,
And led her from the pool a little way,
And there he laid her on the flowery mead,
And watched her weeping. His forgotten reed
Floated away, a ship for fairy folk,
Along the limpid rivulet. Then broke
From smitten heart and ravished lips the tongue
Of fire that clad its essence with the robe of song.
<<1. Panpipe.>>
SONG OF CHARICLES.
MAN'S days are dim, his deeds are dust,
His span is but a little space,
He lusts to live, he lives to lust,
His soul is barren of love or trust,
His heart is hopeless, seeing he must
Perish, and leave no trace;
With impious rage he mocks the bounds
Of earth, albeit so wholly base;
His ears are dead to subtle sounds,
His eyes are blind, for Zeus confounds
His vain irreverence, and astounds
High Heaven with wrathful face. {8B}
But I am born of gods, and turn
My eyes to thee, thyself divine.
My vigorous heart and spirit yearn
With love, my cheeks with passion burn --
As thy clear eyes may well discern
By gazing into mine.
Thy heart is cool, thy cheeks are pale,
Nor blush with shame like winter wine
To understand my amorous tale,
For words and looks of Love must fail
To touch thee, since a snowy veil
Is 'twixt my mind and thine.
Dear goddess, at whose early breast
I drank in all desires and woes;
Most reverend god, who oft caressed
Her pale chaste wifehood, and who pressed
Upon my forehead kisses blest;
Bid blossom out this rose,
This fair white bud whose heart is pure,
Whose bosom fears not, neither knows
The long vague mysteries that endure
Of life uncertain, of love sure.
Teach her the mystic overture
To Love's transcendant throes.
He ceased: but out of Heaven no sound of might,
No tongue of flame gave answer. Still as night,
Silence and sunlight, stream and mead, possessed
The whole wide world. The maid's reluctant breast
Heaved with soft passion nowise understood,
And her pulse quickened. Through the quiet wood
Her answer rang: "My voice with thine shall break
The woodland stillness, for the fountain's sake.
I'll sing to thee -- Lamia! mother, I obey!"
In vain the desperate boy pursued the way
With awful eyes; no bruised flower betrayed
The tender footsteps of a goddess maid;
No butterfly flew frightened; on the pool
No ripple spoke of her; the streamlet cool {9A}
Had no small wreath of amber mist to mark
Her flight; she was not there, the silver spark
Had flashed and faded; all the field was bare,
No wave of wing bestirred the sultry air,
Save only where the noontide lark rose high
To chant his liberty. The vaulted sky
Was one blue cupola of rare turquoise
That shimmered with the heat.
His pulses pause
For his despair ineffable. Her name
He called; she was not, and the piercing flame
Of love struck through him, till his tortured mind
Drove his young limbs, the wolf that hunts the hind,
Far through the forest. Lastly sleep, like death,
With strong compulsion of his labouring breath
Came on him dreamless.
When he woke, the day
Stooped toward the splendour of the western bay,
And he remembered. Like a wild bird's cry
The song within him flamed, a melody
Dreadful and beautiful. The sad sea heard
And echoed over earth its bitter word.
SONG.
Ere the grape of joy is golden
With the summer and the sun,
Ere the maidens unbeholden
Gather one by one,
To the vineyard comes the shower,
No sweet rain to fresh the flower.
But the thunder rain that cleaves,
Rends and ruins tender leaves.
Ere the wine of perfect pleasure
From a perfect chalice poured,
Swells the veins with such a measure
As the garden's lord
Makes his votaries dance to, death
Draws with soft delicious breath
To the maiden and the man.
Love and life are both a span. {9B}
Ere the crimson lips have planted
Paler roses, warmer grapes,
Ere the maiden breasts have panted,
And the sunny shapes
Flit around to bless the hour,
Comes men know not what false flower:
Ere the cup is drained, the wine
Grows unsweet, that was divine.
All the subtle airs are proven
False at dewfall, at the dawn
Sin and sorrow, interwoven,
Like a veil are drawn
Over love and all delight;
Grey desires invade the white.
Love and life are but a span;
Woe is me! and woe is man!
The sound stood trembling in the forest dim
Lingering a little, yet there taketh him
A strong man's one short moment of despair.
He fell, the last of Titans, his loose hair
Tangled in roses; while his heart and mind
Broken and yet imperishable, blind,
Hateful, desire they know not what, and turn
Lastly to pray for death; his wild eyes burn,
And bitter tears divide his doubtful breath.
So grew his anguish to accomplish death,
Had not the goddess with the rosy shoon<<1>>
Stoop'd o'er the silver surface of the moon
To touch his brow with slumber, like a kiss
Whose dreams perfused the name of Archais,
Till the sweet odour dulled his brain, and sleep
Loosened his limbs, most dreamless and most deep.
The mosses serve him for a bed; the trees
Wave in the moonlight, daughters of the breeze;
Hardly the pleasant waters seem to shake,
And only nightingales, for slumber's sake,
Lull the soft stars and seas, and matchless music make.
And now the sun is risen above the deep;
The mists pass slowly on the uplands steep;
Far snows are luminous with rosy flecks
Of lambent light, and shadow tints and decks {10A}
Their distant hollows with black radiance,
While the delivered fountains flash and glance
Adown the hills and through the woods of pine
And stately larch, with cadences divine
And trills and melodies instinct with light and wine.
The sun, arising, sees the sleeping youth
And lumes his locks with evanescent gold,
While birds and breezes, watching, hold them mute,
And light an silence, the twin-born of truth,
Reign o`er the meadow, and possess the wold.
The poet bows his head, and lays aside his lute.
<<1. WEH NOTE: shoe.>>
PART II.
WHEN God bethought Him, and the world began,
He made moist clay, and breathed on it, that man
Might be most frail and feeble, and like earth
Shrink at Death's finger from the hour of birth;
And like the sea by limits of pale sand
Be utterly confined; but so He planned
To vivify the body with the soul,
That fire and air were wedded to control
The heavy bulk beneath them, so His breath
Touched the warm clay and violated death,
Gave to the spirit wings and bade it rise
To seek its Maker with aspiring eyes,
Gave to the body strength to hold awhile
The spirit, till the passions that defile
Should waste and wither, and the free soul soar.
But evil lusted with the soul, and bore
A thousand children deadlier than death;
The sin that enters with the eager breath
Of perfect love; the sin that seeks it home
In lights and longings frailer than the foam;
The sin that loves the hollows of the night,
The sin that fears; the sin that hates the light;
The sin that looks with wistful eyes; the sin
That trembles on the olive of the skin; {10B}
The sin that slumbers; these divide the day
And all the darkness, and deceive, and slay.
And these regather in the womb of hell
To marry and increase, and by the spell
Of their own wickedness discover sin
Unguessed at, but slow treason creeping in,
To spread corruption, and destroy the earth.
But in the holy hour and happy birth
That swam through stars propitious, meadows white,
And fresh with newer flowers of the night
In the pale fields supernal, when his sire
Took from the nurse the child of his desire,
A man, the prayers of many maidens sent
So sweet a savour through the firmament
That no false spirit might draw nigh. And still
His angel ministers defend from ill
The head they nurtured. Evil dreams and spells,
Cast at the dimmest hour, the sword repels
And drives them down the steep of Hell. But dim
Sweet faces of dead maidens drew to him;
Quiet woods and streams and all the mountains tall,
Cool valleys, silver-streaked with waterfall,
Came in his slumbers, chaste and musical,
While through their maze his mind beheld afar
Dim and divine, Archais, like a star.
It was no dream, or else the growing dawn
Deepened the glory of the misted lawn,
For to his eyes, half open now, there seems
A figure, fairer than his dearest dreams.
He sprang, he caught her to his breast, the maid
Smiled and lay back to look at him. He laid
Her tender body on the sloping field,
And felt her sighs in his embraces yield
A sweeter music than all birds. But she,
Lost in the love she might not know, may see
No further than his face, and yet, aware
Of her own fate, resisted like a snare {11A}
Her own soft wishes. As she looked and saw
His eager face, the iron rod of law
Grew like a misty pillar in the sky.
In all her veins the blood's desires die,
And then -- O sudden ardour! -- all her mind
And memory faded, and looked outward, blind,
Beyond their bitterness. Her arms she flung
Around him, and with amorous lips and tongue
Tortured his palate with extreme desire,
And like a Maenad maddened; equal fire
Leapt in his veins; locked close for love they lie,
The heart's dumb word exprest without a sigh
In the strong magic of a lover's kiss,
And the twin light of love; but Archais
Felt through her blood a sudden chill; her face
Blanched and besought a moment's breathing space;
Her heart's desire welled up, and then again
Whitened her cheeks with the exceeding pain
Of uttermost despair. At last her strength
Failed, and she flung her weary body at length
Amid the bruised flowers; while from her eyes
Surged the salt tears; low moans she multiplies
Because her love is blasphemous; the wind
Signs for all answer, sobs and wails behind
Among the trees; the streams grows deadly pale
Hearing her weep, and like a silver sail
The fading moon drifts sorrowful above.
Then Charicles must ask his weeping love
To lead him to the fountain of her tears.
But she, possessed by vague and violent fears,
Spake not a little while, and then began:
"O thou, a child of Heaven, and a man,
Even so my lover, shall my woeful song
So move thy spirit for my bitter wrong
(Got-nurtured through thou be) against the rods
Laid on me by my mother, whom the gods {11B}
Righteous in anger, doomed, for fiery sin
Kindled by hell-flames, cherished within
Her lustful heart, for sin most damnable,
To suffer torment in remotest hell,
Where the grim fiend grinds down with fiery stones
The unrepentant marrow of men's bones,
Or chills their blood with poisonous vials of death,
Or dooms them to the tooth and venomous breath
Of foul black worms; and on the earth to dwell
For long space, and there (most terrible!)
To change her shape at times, and on her take
The fierce presentment of a loathly snake to the<<1>>
To wander curst and lonely through the dire black brake.
And this thing is my mother, whose foul tomb
Is a black serpent, spotted with the gloom
Of venomous red flecks, and poisonous sweat,
While on her flat lewd head the mark is set
Of utter loathsomeness; and I, her child
Born of incestuous lust, and sore defiled
With evil parentage, am now (Most just
Unpitying Zeus!) condemned with her, I must
The hated semblance of a serpent wear
When noon rides forth upon the crystal air."
While yet she spake, the dwindling shadow ran
Beneath the feet of Charicles, the wan
Waste water glinted free, and to the deep
Cool pebbles did the kiss of sunshine creep;
The busy lark forgot for joy to sing,
And all the woods with fairy voices ring;
The hills in dreamy langour seem to swoon
Through the blue haze! behold, the hour of noon!
<<1. WEH NOTE: This inconvenience is not unlike that reported of Melusine, wife of the Angevin Raymond de Lusignan. Melusine had a little problem of turning to a blue and white serpent from the waist down every Saturday. After her death following discovery of this complaint, she was said "to haunt the Lusignan castle, causing much fear by the sound of her swishing tail". Thus the ancesters of the English kings!>>
And lo! there came to pass the dreadful fate
Her lips had shuddered out her pulses bate
Their quick sweet movement; on the ground she lies
Struggling, and rending Heaven with her cries. {12A}
Like light, in one convulsive pang the snake
Leapt in the sunlight, and its body brake
With glistening scales that golden skin of hers,
And writing with pure shame, the long grass whirrs
With her sharp flight of fury and despair.
Then Charicles at last became aware
Of the fell death that had him by the throat
To mar his music; like one blind he smote
The quivering air with cries of sorrow; then,
Disdaining fear and sorrow, cried to men
And gods to help him; then, resolved to dare
All wrath and justice, he rose up to swear
(Lifting his right hand to the sky, that glowed
Deadly vermilion, like the poisonous toad
That darts an angry red from out its eye,)
By sword and spear, by maze and mystery,
By Zeus' high house, and by his godhead great,
By his own soul, no ardour to abate
Until he freed Archais. Like a star
Rebellious, thrust beyond the morning's bar,
Erect, sublime, he swore so fierce an oath
That the sea flashed with blasphemy, and loath
Black thunder broke from out the shuddering deep.
He swore again, and from its century's sleep
Earthquake arose, and rocked and raved and roared.
He swore the third time. But that Heaven's Lord
Curbed their black wrath, the stars of Heaven's vault
Had rushed to whelm the sun with vehement assault.
The heavens stood still, but o'er the quaking earth,
That groaned and shrank with the untimely birth
Of fury and freedom, Charicles strode on
With fervid foot, to Aphrodite's throne
In seagirt Paphos, to exact her aid --
The sun stood still, creation grew afraid
At his firm step and mien erect and undismayed. {12B}
Strident the godlike hero called aloud
Blaspheming, while that sombre bank of cloud
Witnessed the wrath of Zeus; the thunder broke
From purple flashes vanished into smoke
That rolled unceasingly through heaven; the youth
Cried out against high Zeus, "The cause of Truth,
Freedom, and Justice!" and withal strode on
To the vast margin of the waters wan
That barred him from his goal; his cloak he stripped,
Then in the waves his sudden body dipped
And with his strenuous hands the emerald water gripped.
Long had he struggled (for Poseidon's hand
Heaped foam against him) toward the seemly strand,
But that Love's Mother,<<1>> journeying from Rome,
Passed in her car the swimmer, while her home
Scarce yet was glimmering o'er the waste wide sea
Against whose wrath he strove so silently;
Whom now beholding, checked her eager team,
Dipped to the foam from which she sprang whose gleam
Bore the sweet mirage of her eyes, and bent
Over the weary Charicles. Content
With him she spake, and he, still buffeting
The waves, looked never up, but with the swing
Of strong fierce limbs, clove through the water gray.
Hearing her voice, he answered, "Ere the day
Has fallen from his pinnacle must I
Reach sea-girt Paphos, with a bitter cry
To clasp the knees of Cytherea, and pray
That she will aid me." Then the billows lay {13A}
Fondly quiescent while she answered him:
"Yea, are thine eyes with weeping grown so dim
Thou canst not see who hovers over thee?
For I am she thou seekest. Come with me
And tell me all thy grief; thy prayer is heard
Before thy spirit clothes in wintry word
The fire it throbs with." So her eager doves
Waited. From seas grown calm the wanton loves
Lifted the hero to the pearly car,
Whose floor was azure and whose front a star
Set in seven jewels girt with ivory.
<<1. Aphrodite.>>
Then the light rein the goddess left to lie
Unheeded, and the birds flew on apace,
Until the glint and glory of the place
Grew o'er the blue dim line of ocean.
It was a temple never built of man,
Being of marble white, and all unhewn,
Above a cliff, about whose base were strewn
Boulders of amethyst or malachite.
Save these the cliffs rose sheer, a dazzling white,
Six hundred feet from ocean; so divine
Was the tall precipice, that from the shrine
A child might fling a stone and splash it in the brine.
Within whose silver courts and lily bowers
The Queen of Love led Charicles; white flowers
Blushed everywhere to scarlet, as her feet,
Themselves more white, did touch them. On a seat
White with strewn rose, and leaves of silver birch,
Remote from courts profane, and vulgar search,
They rested, till the hero's tale was told.
Then Aphrodite loosed a snake of gold
From her arm's whiteness, and upon his wrist
Clasped it. Its glittering eyes of amethyst
Fascinate him. "Even so," the goddess cried,
"I will bind on thy arm the serpent bride {13B}
Free from her fate, and promise by this kiss
The warmer kisses of thy Archais."
She spake, and on his brow, betwixt her hands
Pressed softly, as a maid in bridal bands,
Kissed him a mother's kiss. Then Charicles
Gave her due thanks, and bent his ear to seize
Here further words. And she: "Not many days
Shall flame and flicker into darkened ways
Before the wings of night, ere Hermes fly
Hither, the messenger of Zeus. But I
Bid thee remain beneath the temple gate
While I consider our war on Fate.
Till then, and I will tell thee everything
That thou must do; but now let song take wing
Till the pale air swoon with the deep delight
That makes cool noontide from the sultry night.
What are your dreams, my maidens? Your young dreams?
Are they of passion, or of rocks and streams,
Of purple mountains, clad about with green,
Or do their lamps grow dim in the unseen?
Sing to his hero; sing, lure slumber to your queen."
SONG OF APHRODITE'S HANDMAIDENS.
My dreams are sweet, because my heart is free,
Because our locks still mingle and lips meet,
Because thine arms still hold me tenderly,
My dreams are sweet.
Visions of waters rippling by my feet,
Trees that re-weave their branches lovingly,
Birds that pass passionate on pinions fleet:
Such quiet joys my eyes in slumber see --
Let death's keen sickle wander through the wheat!
I love not life o'ermuch; since loving thee
My dreams are sweet. {14A}
Sing, little bird, it is dawn;
Cry! with the day the woods ring;
Now in the blush of the morn
Sing!
Love doth enchain me and cling,
Love, of the breeze that is born,
Love, with the breeze that takes wing.
Love that is lighter than scorn,
Love, that is strong as a king,
Love, through the gate that is horn,<<1>>
Sing!
<<1. The gate through which true dreams are perceived.>>
Then Charicles rejoicing quickly ran
And chose a lyre, and thus his song began
Rippling through melodies unheard of man.
SONG OF CHARICLES.
Wake, fairy maid, for the day
Blushes our curtain to shake;
Summer and blossoms of May
Wake!
Lilies drink light on the lake,
Laughter drives dreamland away,
Kisses shall woo thee, and slake
Passion with amorous play,
Clip thee and love, for Love's sake.
Wake and caress me, I pray,
Wake!
Snow-hills and streams, dew-diamonded,
Call us from silvery dreams
To where the morning kindles red
Snow-hills and streams.
See, breezes whisper, sunlight gleams
With gentle kissings; flowers shed
Pale scents, the whole sweet meadow steams.
Forth, glittering shoulders, golden head,
And tune our lutes to tender themes
Among the lost loves of the dead,
Snow-hills and streams. {14B}
The queen clapped dainty hands, caressed of dew,
And bade the love-lorn wanderer sing anew.
His muse came trembling, soon through starry air it flew.
SONG OF CHARICLES.
Within the forest gloom
There lies a lover's bower,
A lotus-flower
In bloom.
O lotus-flower too white,
Starred purple, round and sweet,
Rich golden wheat
Of night!
I'll kiss thee, lotus-flower,
I'll pluck thee, yellow grain,
Once and again
This hour.
There coos a dove to me
Across the waves of space;
O passionate face
To see!
I'll woo thee, silver dove,
Caress thee, lotus-flower;
It is the hour
Of Love.
Cypris blushed deep; albeit for love did swoon
At the song's sweetness, while the cold dead moon
Was still and pale; her nymphs are fain to sigh
With sudden longing filled, and like to die
For vain delight,for still across the sea
Stole sensuous breaths of Sapphic melody
From the far strand of Lesbos; then there came
Into their eyes a new and awful flame
Suddenly burning; now upon the beach
The waves kept tune in unexpressive speech
As sad voice drew night; the hero shrank
Like one in awe; the flame shot up and sank {15A}
From the crimson-vestured altar; then the song
Found in the wavering breeze from over sea a tongue.
Here, on the crimson stand of blood-red waters,
We, Cypris, not thy daughters,
Clad in bright flame, filled with unholy wine,
O Cypris, none of thine! --
Here, kissing in the dim red dusk, we linger,
Striking with amorous finger
Our lyres, whose fierce delights are all divine --
O Cypris, none of thine!
Quenchless, insatiable, the unholy fire
Floods our red lips' desire;
Our kisses sting, as barren as the brine --
O Cypris, none of thine!
Our songs are awful, that the heavens shrink back
Into their void of black.
We worship at a sad insatiate shrine --
O Cypris, none of thine!
Scarcely the song did cease when out of heaven
A little cloud grew near, all thunder-riven,
Scarred by the lightning, torn of ravaging wind;
Upon it sate the herald, who should find
The home of Aphrodite, and should bring
A message from high Zeus. The mighty king
Had bidden him to speed. His wings drew nigh
And hushed the last faint echoed melody
With silver waving. As the messenger
Of mighty Zeus descending unto her
He stood before her, and called loud her name,
Wrapped in a cloud of amber-scented flame
Befitting his high office; but his word,
Too terrible for mortals, passed unheard {15B}
To Cypris' ear alone. She bowed her head
And bade her nymphs prepare a royal bed
Where he should rest awhile; and, being gone,
Cypris and Charicles were left alone.
An aureole of purple round her brow
Flames love no more; but fierce defiance now
Knotted the veins, suffused them with rich blood,
And wrath restrained from sight the torrid flood
Of tears; her eyes were terrible; she spake:
"Rise for thy life, and flee. Arise, awake,
And hide thee in the temple; Zeus hath spoken
To me -- me, Queen of Love -- O sceptre broken! --
O vainest of all realms! that thou must die.
This only chance is left thee yet, to fly
Within that sanctity even he not dares
To touch with impious hand; thus unawares
Creep in among the columns to a gate
My hand shall show thee; it will open straight
And thou must lie forgotten till his rage
Have lost its first excess -- then may we wage
A more successful war against his power."
But Charicles: "Shall I for one short hour
Fly from his tyranny? Am I such man
As should flee from him? Let the pale and wan
Women have fear -- in strength of justice, I
His vain fierce fury do this hour defy!"
There shot through Heaven an awful tongue of fire,
Attended by its minister, the dire
Black thunder. In clear accents, cold and chill,
There sounded: "Boldest mortal, have thy will!
I do reverse the doom of Archais
And lay it on thyself; nor ever this
Shall lift its curse from off thee, this I swear."
And Cypris looked upon him and was ware
His form did change, and, writing from her clasp,
Fled hissing outward, a more hateful asp {16A}
Than India breeds to-day, so terrible
Was his despair, so venomous as hell
The sudden hate that filled him. So away,
Knowing not whither, did he flee, till day
Dropped her blue pinions, and the night drew on,
And sable clouds banked out the weary sun.
PART III
LONG days and nights succeeded in despair.
Each noon beheld his doom -- too proud for prayer,
And scorning Aphrodite's help -- he strayed
Through swamps and weary bogs, nor yet betrayed
His anguished countenance to mortal men.
There was so keen an hour of sorrow, when
He had destroyed himself; but Heaven's hand,
Stretched out in vengeance, held him back. The land,
Where rest is made eternal, slipped his clutch;
He wandered through the world and might not touch
The sceptre of King Death. In vain he sought
Those fierce embraces, nor availed him aught
To numb the aching of his breast. The maid
He loved, now freed from doom, no longer prayed
For anything but to discover him,
And her large eyes with weeping grew more dim
Than are the mists of Autumn on the hills.
She sought him far and near; the rocks and rills
Could tell he nought; the murmur of the trees
Told her their pity and no more; the breeze
That cooled its burning locks within the sea,
And dared not pass o'er the dank swamps where he
Was hid, knew nothing; nor the sloughing waves,
Through all the desolation of those caves {16B}
The sea-nymphs haunt, could say a word of him;
No stars, to whom she looked, had seen the grim
Abodes of Charicles, for deadly shade
Lowered o'er their top, nor any light betrayed
The horror of their core. Despairing then
Of nature's prophets, and of gods and men,
She cast her arms wide open to the sky,
Cried loud, and wept, and girt herself to die.
It was a pinnacle of ivory
Whereon she stood, the loftiest of three fangs
Thrust up by magic, in the direst pangs
Of Earth, when Earth was yet a whirling cloud
Of fire and adamant, a ceaseless crowd
Of rushing atoms roaring into space,
Driven by demons from before the Face.
And these gleamed white, while Helios lit the heaven,
Like tusks; but at the coming of the even
Were visions wonderful with indigo;
And in the glory of the afterglow
Were rosy with its kiss; and in the night
Were crowned with that unutterable light
That is a brilliance of solemn black,
Glistening wide across the ocean track
Of white-sailed ships and many mariners.
So, on the tallest spire, where wakes and whirrs
The eagle when dawn strikes his eyrie, came
The maiden, clad in the abundant flame
Of setting sun, with shapely shoulders bare,
And even the glory of her midday hair
Was bound above her head; so, naked pure,
Fixed in that purpose, which the gods endure
With calm despair, the purpose to be passed
Into the circle, that, serene and vast,
Girds all, and is itself the All -- to die --
So stood she there, with eyes of victory
Fixed on the sun, about to sink his rays
Beneath the ocean, that the pallid bays
Fringed with white foam. But, as in pity, yet
The sun forgot his chariot, nor would set, {17A}
Since as he sank the maiden thought to leap
Within the bosom of the vaulted deep
From that high pedestal. And seeing this,
That yet an hour was left her, Archais
Lift up her voice and prayed with zeal divine
To Aphrodite, who from her far shrine
Heard and flew fast to aid over the night-clad brine.
PRAYER OF ARCHAIS.
O Mother of Love,
By whom the earth and all its fountains move
In harmony,
Hear thou the bitter overwhelming cry
Of me, who love, who am about to die
Because of love.
O Queenliest Shrine,
Keeper of keys of heaven, most divine
Yet Queen of Pain,
Since Hell's gates open, and close fast again
Behind some servants of thy barren and vain
Though queenliest shrine.
I am of those
Who hear their brazen clanging as they close
Fastward on life.
I wane to-night, wearied with endless strife,
A lover alway, never yet a wife,
Lost in love's woes.
Not unperceived of Cypris did her song
Die fitfully upon her tremulous tongue,
Nor fell the melody on cruel ears:
The bright-throat goddess sped through many spheres
Of sight, beyond the world, and flamed across
All space, on wings that not the albatross
Might match for splendour, stretch, or airy speed,
From cluster unto cluster at her need
Of stars, wide waving, and from star to star
Extended, in whose span the heavens are.
So came she to the maiden, and unseen
Gazed on her rapt. So sighed the amorous queen {17B}
"For her indeed might Charicles despair!"
Yet of her presence was the maiden 'ware,
Although her mortal eyes might see her not;
So she knelt down upon that holy spot
And greeted her with tears; for now at last
The fountains of her sorrow, vague and vast,
Burst from the strong inexorable chain
Of too great passion, and a mortal pain
Beyond belief, and so in sudden waves
Tears welled impatient from their crystal caves.
(Men say those barren pinnacles are set
Since then with jewels; the white violet
Was born of those pure tears; the snowdrop grew
Where waking hope her agony shot through,
And where the Queen of Love had touched her tears,
The new-born lily evermore appears.)
So Cypris comforts here with tender words
That pierce her bosom, like dividing swords,
With hopes and loves requickened, and her breath
Grew calm as worship's, though as dark as death
Her soul had been for weary days no few;
Now, lightened by the spirit thrust anew
As into a dead body breath of life,
She gave sweet thanks with gentle lips that ope,
Like buds of roses on the sunny slope
Of lily gardens falling toward a stream
That flashes back the intolerable beam
Of sunlight with light heart.
They fled away
At Cypris' word, beyond the bounds of day
Into the awful caverns of the night,
Eerie with ghosts imagined, and the might
Of strange spells cast upon them by the dead.
So, ere the dying autumn-tide was fled,
There, in a lonely cleft of riven rock,
Whose iron fastnesses disdain and mock
Fury and fire with impassivity,
Archais rested, there alone must she
Wait the event of Aphrodite's wiles.
There, like a statue, 'mid the massy piles {18A}
Of thunder-smitten stone, as motionless
As Fate she sat, in manifold distress,
Awaiting and awaiting aye the same
One strong desire of life, that never came.
For Aphrodite sought in vain the woods,
The silent mountains, and impetuous floods
In all the world, nor had she knowledge of
Such dens as him concealed; (for what should Love
Know of such vile morasses?) in despair
Waved angry wings, and, floating through the air,
Came unto Aphaca, lewd citadel
Of strange new lusts and devilries of hell,
Where god Priapus dwelt; to him she came --
She, Love! -- and, hiding her fair face for shame,
Nor showing aught the quivering scorn that glowed
Through all her body, her desire showed
In brief sharp words, and the lewd god gave ear
(For he shook terribly with bastard fear
Of being cast beneath the hoof of Time)
And answered her: "O mightiest, O sublime
White deity of heaven, a swamp is know
To me, so vile, so more than venomous grown
With filthy weeds; yea, all lewd creatures swarm
Its airless desolation through; and warm
Sick vapours of disease do putrefy
Its feverish exhalations; yet do I
With some fond band of loyal worshippers
Often draw thither; and black ministers
Of mine therein do office; I have seen
This being cursed of Zeus, a snake unclean
With its unholy neighbourhood; at morn
A fair bright youth, whose large eyes well might scorn
The wanton eyes of Ganymede, whose tongue
Reiterates ill curses idly strung
In circles meaningless high Zeus to move,
Yet has twain other cries; the one is 'Love!'
The other 'Archais!'" The Paphian lips
Smiled with a splendour potent to eclipse {18B}
The large-lipped drawn-out grinning of that court
That mouthed and gibbered in their swinish sport.
So with meet words of gratitude the dame
That rules our lives withdrew, triumphant flame
Kindling in her bright eyes and sunwarmed hair,
Burning in dawny cheeks as the fresh air
Kissed, cleansing them from that infested den
Of obscene deities and apish men,
Rivalling their gods in petty filthiness.
So Love's white-bosomed Queen gat full success
In the first season of her sojourning.
Then, on the verge of night, she went a-wing
To that most damned pestilence-rid marsh,
And, changing her bright shape, she donned the harsh
Vile form of woman past the middle age,
Who hath not virtue that may charm the sage
When the desire of folly is gone by,
And wrinkles yield to no false alchemy.
So, lewd of countenance, dressed all in rags,
She waited, fit mate of hell's filthiest hags,
Within a little hut upon the marge
Extreme of that bad swamp, whereby a barge,
Rotted with years and pestilence, lay moored.
The rusty chain men meant to have secured
Its most unwieldy hulk was eaten through
Of sharp-tongued serpents, and the poisonous dew
That the foul damp let fall at evening
Rotted it even to its core. A ring
Of silver girt it to the landing-stage,
Yet brimstone joined in wedlock with foul age
To burn into its vitals; thus the breath
Of Satyrs wantoning at noon with Death
Strained it, and all but cast it loose; the night
Drew on the outer world; no change of light
Was known within those depths, but vermin knew
By some strange instinct; forth the unholy crew {19A}
Of vampires and swamp-adders drew them out.
Alone amid the pestilential rout
Charicles' crest did glimmer red with wrath,
And, stealing from the barge, he drew him forth
And writhed into the hut, for latterly
So dark his soul had grown that never he
For shame and sorrow wore the form of man.
So to the hut on writing coils he ran
With angry head erect, and passed within
Its rotten doorway. Then the thing of Sin
That mocked the name of woman fondled him,
Stroked his flat head, his body curved and slim,
And from the fire brought milk. He drank it up
From the coarse pewter of the borrowed cup
And cried: "In eating, swear. I have vowed to make
The gods infernal on their couches quake
With fear before I die; I have vowed to live
With one aim only; never to forgive
The wrong the gods do me, and in my form
Love his high self, by whom the earth is warm
To-day, by whose defiance the universe
Would crash in one inextricable curse
To primal chaos. Hear me, I have sworn."
Then, suddenly, more glorious than the morn
Tipping the golden tops of autumn hills
With light, more countless than the myriad rills
Of bright dew running off the bracken leaves,
With gold more saturated than the sheaves
In the red glow that promises the day
Shall glory when the night is fled away
In bonds, a captive; so more glorious
Than the supreme ideal dreams of us
Mortals, he sprang forth suddenly a man.
Wherefore the hag, triumphant, then began
Likewise to change. The writhled visage grew
Fouler and fiercer, blacker in its hue;
The skewed deformities became more vile,
The rags more rotten, till a little while, {19B}
And all was changed to a putrescent heap
Of oily liquid on the floor asleep,
Like poisonous potency of mandragore
Ready to strike. And then a change came o'er
Its turbid mass, that shook, and grew divine,
A million-twinkling ocean of bright brine
That seemed to spread beyond the horizon,
Whence, stirred by strange emotions of the sun,
Waves rolled upon it, and a wind arose
And lashed it with insatiable blows
Into a surging labyrinth of foam,
Boiling up into heaven's unchanging dome
Of brightest aether; then, its womb uncloses
To bring to birth a garden of white roses,
Whence, on a mystic shell of pearl, is borne
A goddess, bosomed like the sea at morn,
Glittering in all the goodlihead and grace
Of maiden magic; her delicious face
Grew more and more upon the hero's sight,
Till all the hut was filled with rosy light,
And Charicles' grey eyes were luminous
With love-reflections multitudinous
As lilies in the spring. Again was seen
As in a mirror, like the ocean green,
The admirable birth of Love's eternal Queen.
So Charicles a moment was amazed.
A moment; then, contemptuous, he gazed
With curling lip on her, and sourly scorns
Her petty miracle: "The deed adorns
Too well a queen whose promises are foam."
And she, indignant, would have hied her home
And left him to despair, but pitying
His soul struck through with darts: "A bitter thing"
(She cried) "thou sayest, yet perchance my power
Is not as great as thine, for while I cower
Under the lash of Zeus, stand thou upright,
And laugh him to his beard for all his spite."
"I, even now beneath his doom?" "Even thou!
For learn this law, writ large upon the brow
Of white Olympus, writ by him who made
Thee, yea and Zeus, of whom is Zeus afraid, {20A}
Graven by Him with an eternal pen,
The first law in the destiny of men:
"He whom Zeus wrongfully once injures may not be
Hurt by his power again in the most small degree."
Thus, thy Archais" -- "Mine! ah nevermore!"
"Peace, doubter! -- is made free from all the sore
Oppressions of the past, nor may again
Zeus lay on her the shadow of a pain."
"But I, but I" -- "Yea, verily, fear not
But stratagem may lift thy bitter lot
From thy worn shoulders. Thus for half the day
Thou art as free as air, as woodland fay
Treading the circle of unearthly green,
By maiden eyes at summer midnight seen.
These hours of freedom thy may'st use to free
Love from his toils, and joy and goodly gree <<1>>
Shall be thy guerdon. Listen! I have power
To change thy semblance in thy happier hour;
Thou shall assume the countenance of Love's
Divinest maiden in the darkling groves
Of Ida. There shall thou meet happily
With Zeus himself. I leave the scheme to thee."
----
<<1. Gladness.>>
The flash of her desire within his brain
Came as a meteor through the wildered train
Of solemn spheres of night's majestic court.
He kissed the extended hand, and lastly sought
A blessing from the kindly Queen of Love.
Then, smiling, she was bountiful thereof,
And bade him haste away, when at the gate --
Twin witch-oaks that presided o'er the state
Of that detested realm -- he felt a change,
Half pleasant, only beyond wonder strange,
A change as from a joy to a delight,
As from broad sunshine to the fall of night,
As from strong action to endurance strong,
As from desire to the power to long. {20B}
From man to woman with a strange swift motion,
Like tide and ebb upon a summer ocean.
Thus he went forth a girl; his steps he presses
Through sickly wastes and burning wildernesses
To the lascivious shade of Ida's deep recesses.
PART IV.
FAIRER than woman blushing at the kiss
Of young keen Phoibos, whose lips' nectar is
More fresh than lilies, whose divine embrace
Flushes the creamy pallor of her face,
And, even in those depths of azure sea
Where her eyes dwell, bids them glint amorously,
While the intense hushed music of his breath
Sighs, till her longing grows divine as death --
So, fairer far, drew dawn on Ida's grove.
The young sun rose, whose burning lips of love
Kissed the green steeps, whose royal locks of flame
Brushed o'er the dewy pastures, with acclaim
Of tuneful thrushes shrill with mountain song,
And noise of nightingales, and murmur long --
A sigh half-sad, as if remembering earth
And all the massy pillars of her girth;
Half-jubilant, as if foreseeing a world
Fresher with starlight and with waters pearled,
Sunnier days and rivers calm and clear,
And music for four seasons of the year
And pleasant people with glad throat and voice
To wise to grieve, too happy to rejoice.
So came the dawn on Ida to disclose
Within her confines a delicious rose
Lying asleep, a-dreaming, white of brow,
Stainless and splendid. Yea, and fair enow
To tempt the lips of Death to kiss her eyes
And bid her waken in the sad surprise
Of seeing round her the iron gates of hell
In gloomy strength: so sweet, so terrible,
So fair, her image in the brook might make
A passionless old god his hunger slake {21A}
By plunging in the waters, though he knew
His drowning body drowned her image too.
Yet she seemed gentle. Never thorn assailed
The tender finger that would touch, nor failed
The strong desire of Zeus, who wisely went,
As was his wont, with amorous intent
Among those pastures, and fresh fragrant lawns,
And dewy wonder of new woods, where dawns
A new flower every day, a perfect flower,
Each queenlier than her sister, though the shower
Of early dew begemmed them all with stars,
Diamond and pearl, between the pleasant bars
Of cool green trees that avenued the grove.
Zeus wandered through their bounds, and dreamt of love.
Weary of women's old lascivious breed,
The large luxurious lips of Ganymede,
He, weary of tainted kiss and feverish lust,
Esteeming love a desert of dry dust
Because he found no freshness, no restraint,
No virgin bosom, lips without a taint
Of lewd imagining, yet passed not by
With scorn of curled lip and contempt of eye
The chaste abandon of the sleeping maid,
But looked upon her lips, checked course, and stayed,
And noted all the virginal fresh air
Of Charicles, the maiden head half bare
To Phoibos' kiss, half veiled by dimpled arms
Within whose love it rested, all her charms
Half-shown, half-hidden, amorous but chaste.
And so, between the branches interlaced
And all the purple white-starred undergrowth,
Zeus crept beside the maid, little loath
To waken her caresses, and let noon
Fade into midnight in the amorous swoon
Of long delight, and so with gentle kiss
Touched the maid's cheek, and broke her dream of bliss.
And she, more startled than the yearling fawn
As the rude sun breaks golden out of dawn, {21B}
One swift sharp beam of glory, leapt aside
And made as if to flee, but vainly plied
Her tender feet amid the tangled flowers.
For Zeus, enraptured, put forth all his powers,
And caught her panting, timid, tremulous.
And he with open lips voluptuous
Closed her sweet mouth with kisses, and so pressed
Her sobbing bosom with a manlier breast
That she was silent; next, with sudden force,
Implacable, unshamed, without remorse,
Would urge his further suit; but so she strove
That even the power of Zeus, made weak for love,
Found its last limit, and, releasing her,
Prayed for her grace, a raptured worshipper,
Where but a moment earlier had he striven
A sacrilegious robber. And all heaven
Seemed open to his eyes as she looked down
Into their love, half smiling, with a frown
Coquetting with her forehead. Then a change,
Angry and wonderful, began to range
Over her cheeks; she bitterly began:
"I will not yield to thee -- a mortal man
Alone shall know my love. No God shall come
From his high place and far immortal home
To bend my will by force. Freeborn, I live
In freedom, and the love that maidens give
To men I give to one, but thou, most high,
(For woman's wits through your deceptions spy
And know ye for Olympians) shall know
A maiden's heart no lover may win so.
Farewell, and find a fairer maid to love!
Farewell!" But he: "Through all the silent grove
I sought thee sighing -- for thy love would I
Consent to be a man, consent to die,
Put off my godhead." "If thou sayest sooth,
Any thy fair words bedew the flowers of truth
Nor wander in the mazy groves of lying,
I will be thine -- speak not to me of dying
Or abdication, sith I deem so far
To tempt thee were unwise -- we mortals are {22A}
Chary to ask too much -- didst thou refuse
Either my honour or thy love to lose
Were a hard portion, for in sooth I Love."
"Ah happy hour, sweet moment! Fairest grove
Of all fair Ida, thou hast sealed my bliss!"
Then with one long intense unpitying kiss
Pressed on her bosom, he arose and swore
By heaven and earth and all the seas that roar
And stars that sing, by rivers and fresh flood,
By his own essence, by his body and blood,
To lay his godhead down, till night drew nigh,
To be a mortal till the vesper cry
Of dying breezes. So the morning past
And found them linked inexorably fast
Each in the other's arms. Their lips are wed
To drink the breezes from the fountainhead
Of lovers' breath. Now Zeus half rises up,
Sips once again from that moon-curved cup.
And, in his passion gazing on the flower,
Darker and riper for Love's perfect hour,
His clear voice through the silent atmosphere
Burst rich and musical upon her ear.
SONG OF ZEUS.
O rosy star
Within thy sky of ebony shot through
With hints of blue
More golden and more far
Than earthly stars and flowers
That beam lasciviously through night's empurpled hours!
O well of fire!
O fountain of delicious spurting flame
Grown sad with shame,
Whose imminent desire
Drinks in the dew of earth,
Gives its own limpid streams to quench man's deathly dearth. {22B}
O gardened rose!
The fern-fronds gird thy fragrant beauty round.
Thy ways are bound
With petals that unclose
When the sun seeks his way
Through night and sleep and love to all the dreams of day.
Love, sleep, and death!
The three that melt together, mingle so
Man may not know
The little change of breath
(Caught sigh that love desires,)
When love grows sleep, and sleep at last in death expires.
O lamp of love!
The hissing spray shall jet thee with desire
And foaming fire,
And fire from thee shall move
Her spirit to devour,
And fuse and mingle us in one transcendent hour.
Godhead is less
Than mortal love, the garland of the spheres,
Than those sweet tears
That yield no bitterness
To the luxurious cries
That love shrills out in death, that murmur when love dies.
Love dies in vain.
For breezes hasten from the summer south
To touch his mouth
And bid him rise again,
Till, ere the dawn-star's breath,
Love kisses into sleep, Sleep swoons away to Death.
So Zeus in her sweet arms slept daintily
Till the sun crept into the midmost sky,
And his own curse came back to sleep with him.
Through the noon's haze the world was vast and dim, {23A}
The streams and trees and air were shimmering
With summer heat and earth's cool vapouring,
When, round his limbs entwined, a fiery snake
Hissed in his frightened ear the call "Awake."
And Zeus arisen strives vainly to release
His valiant body from the coils, nor cease
His angry struggles in their cruel hold.
But all implacable, unyielding, cold,
Their sinuous pressure on his breast and thighs,
The white teeth sharp and ready otherwise
In one fierce snap to slay. There hissed "Beware!"
Fear Charicles avenging, and despair!"
And Zeus beheld the springe his foot was in,
And, once more wise, being out of love, would win
His freedom on good terms. His liberty
For Charicles' he bartered. Willingly
The boy accepts, yet in his eye remains
A tender woman-feeling, and his pains,
And even Archais' woes he did forget
In the sweep Lethe, that his lip had set
To their ripe brim, that he had drained. But now,
Freedom regained, more manly grows the brow;
He is again the free, the bold, the lover!
Far o'er the green his new-starred eyes discover
A kirtle glancing in the breeze, a foot
That lightly dances, though the skies be mute
Of music. Forth she flies, the distant dove,
And calls the woodland birds to sing of love;
Forth leaps the stag and calls his mates; the stream
Flashes a silver sunbeam, a gold gleam
Of leaping laughter, that the fish may know
The goodly tidings; all the woodlands glow
With olive and pure silver and red gold,
And all sweet nature's marvels manifold
Combine together in the twilight dim
To harmonize in the thalamic hymn. {23B}
HYMN.
O Lord our God!
O woodland king! O thou most dreadful God!
Who chasest thieves and smitest with thy rod,
That fearful rod, too sharp, too strong
For thy weak worshippers to bear!
Hear thou their murmured song
Who cry for pardon; pity, and prepare
For pain's delight thy votaries who kiss thy rod,
O high Lord God!
O Lord our God!
God of green gardens! O imperious god!
Who as a father smitest with thy rod
Thine erring children who aspire
In vain the the high mysteries
Of thy most secret fire.
Beat us and burn with nameless infamies!
We suffer, and are proud and glad, and kiss thy rod,
O high Lord God!
O Lord our God!
O despot of the fields! O silent god!
Who hidest visions underneath thy rod,
And hast all dreams and all desires and fears,
All secrets and all loves and joys
Of all the long vague years
For lightsome maidens and desire-pale boys
Within thy worship. We desire thy bitter rod,
O high Lord God!
Thus that most reverend sound through all the vale
Pealed in low cadences that rise and fail,
And all the augurs promise happy days,
And all the men for Archais have praise,
And all maids' eyes are fixed on Charicles.
Then, to the tune of musical slow seas,
The wind began to murmur on the mead,
And he, unconscious, drew his eager reed {24A}
From the loose tunic; not they seat themselves
On moss worn smooth by feet of many elves
Dancing at midnight through them, and their voice
Bids all the woodland echoes to rejoice
Because the lovers are made one at last.
Then Charicles began to play; they cast
Tunic and snood and sandal, and began
To foot a happy measure for a span,
While still Archais at his feet would sit,
Gaze in his eyes, by love and triumph lit,
And listen to the music. And the fire
Of his light reed so kindled her desire
That she with new glad confidence would quire
A new song exquisite, whose tender tune
Was nurtured at the bosom of the moon
And kissed on either cheek by sun and rain.
She trembled and began. The troop was fain
To keep pure silence while her notes resound
Over the forest and the marshy ground.
ARCHAIS.
Green and gold the meadows lie
In the sunset's eye.
Green and silver the woods glow
When the sun is low,
And the moon sails up like music on a sea of breathing snow.
Chain and curse are passed away;
Love proclaims the day.
Dawned his sunrise o'er the sea,
Changing olive waves to be
Founts of emerald and sapphire; he is risen, we are free.
Light and dark are wed together
Into golden weather;
Sun and moon have kissed, and built
Palaces star-gilt
Whence a crystal stream of joy, love's eternal wine, is spilt. {24B}
CHARICLES.
Join our chorus, tread the turf
To the beating of the surf.
Dance together, ere we part,
And Selene's dart
Give the signal for your slumber and the rapture of our heart.
"Semi-Chorus of Men."
Exalted with immeasurable gladness;
Bonds touched with tears and melted like the snow: --
Wake the song loudly; loose the leash of madness,
Beat the loud drum, and bid the trumpet blow!
"Semi-Chorus of Women."
Let the lute thrill divinely low,
Let the harp strike a tender note of sadness;
Louder and louder, till the full song flow,
One earth-dissolving stream of utter gladness!
CHORUS.
Free! ye are free! Delight, thou Moon, to hear us!
Smile, Artemis, thy virgin leaves thy fold!
Star of the morning, fling thy blossom near us!
Phoibos, re-kindle us with molten gold!
Starbeams and woven tresses of the ocean,
Flowers of the rolling mountains and the lea,
Trees, and innumerable flocks and herds,
Wild cattle and bright birds,
Tremble above the sea
With song more noble, the divinest potion
Of poet's wonder and bard's melody.
ARCHAIS.
Cold is the kiss of the stars to the sea,
The kiss of the earth to the orient grey
That heralds the day;
Warmer the kiss of a love that is free
As the wind of the sea,
Quick and resurgent and splendid. {25A}
CHARICLES.
Night her bright bow-string has bended;
Fast flies her arrow unsparing
Through the beech-leaves,
Aether it cleaves
Rapid and daring.
Ah! how it strikes as with silver! how the sun's laughter is ended!
ARCHAIS.
How the moon's arms are extended!
"Semi-Chorus of Men."
Rejoicing, inarticulate with pleasure,
Joy streams a comet in the strong control
Of the sun's love; weave, weave the eager measure,
Fill the sea's brim from pleasure's foaming bowl!
"Semi-Chorus of Women."
Weave, weave the dance; the stars are not your goal.
Freed slaves of Fortune, love's your only treasure.
While the gold planets toward the sunlight roll,
Weave, weave the dance! Weave, weave the eager measure!
CHARICLES.
Of your revels I'll be king.
ARCHAIS.
I the queen of your array.
Foot it nimbly in the ring,
CHARICLES.
Strewn with violet and may.
ARCHAIS.
Apple-blossom pile on high,
Till the bridal bed is duly
Panoplied with blooms that sigh. {25B}
CHARICLES.
Not a flower of them shall die,
Every one shall blossom newly;
Stars shall lend them of their beauty,
Rain and sunshine know their duty.
ARCHAIS.
Not a flower of them shall die
That compose our canopy;
Beech and chestnut, poplar tall,
Birch and elm shall flourish all
Dewed with ever-living spring.
Song and dance shall close the day,
CHORUS
Close this happy, happy day.
CHARICLES.
Of your revels I'll be king,
ARCHAIS.
I the queen of your array.
"Both."
Foot it nimbly in the ring!
CHORUS.
Stay, stars, and dance with us! Our songs compel
The very gods to tremble,
Banish the ill ghosts of hell,
Make fiends their shape dissemble.
Freedom forbids their tyrannous reign here,
Flee to their prison must they, nor deceive;
Love had a lightning that shall strip them clear,
Truth through the curtain of the dark shall reave.
Ye love, O happy ones and chaste,
Ye love, and light indwells your eyes;
Truth is the girdle of your waist,
Ye play before the gates of pearl of Paradise.
Happy lovers, dwell together
In the isles of golden weather,
Free of tyranny and tether,
Roam the world, linked hand in hand, {26A}
Moonlight for your sleep, and breezes
Fresh from where the Ocean freezes,
And the cold Aurora stands
With new lilies in her hands.
Happy lovers, twilight falls.
Let us leave you for a while,
Guarding all the golden walls
With the weapon of a smile.
Silver arrows from the maiden
With new labours laden
Shall be shot at bold intruders who would violate your peace;
Lightning shall keep watch and warden through the sea-born isles of Greece.
Sleep! Sleep!
Sleep, ye happy lovers, sleep,
Soft and dreamless, sweet and deep,
Sleep! Sleep!
We will steal away
Till the break of day.
ARCHAIS.
In the arms of love at last
Love is anchored fast,
Firm beyond the rage of Heaven, safe beyond the ocean blast.
CHARICLES.
In the arms of love close prest!
O thy tender breast
Pillows now my happy head; softly breezes from the west
"Both."
Stir the ring-dove's nest.
In the arms of love we lie;
Music from the sky
Tunes the hymenael lyre that will echo till we die.
God we feel is very nigh;
Soft, breeze, sigh
While we kiss at last to slumber,
And the varied number
Of the forest songsters cry:
This is immortality; this is happiness for aye. {26B}
Hush! the music swells apace,
Rolls its silver billows up
Through the void demesne of space
To the heavens' azure cup!
Hush, my love, and sleep shall sigh
This is immortality!
EPILOGUE
IN HOLLOW STONES, SCAWFELL.
BLIND the iron pinnacles edge the twilight;
Blind and black the ghylls of the mountain clefted,
Crag and snow-clad slope in a distant vision
Rise as before me.
Here (it seems) my feet by a tiny torrent
Press the moss with a glad delight of being:
Here my eyes look up to the riven mountain
Split by the thunder.
Rent and rifted, shattered of wind and lightning,
Smitten, Scarred, and stricken of sun and tempest,
Seamed with wounds, like adamant, shod with iron,
Torn by the earthquake.
Still through all the stresses of doubtful weather
Hold the firm old pinnacles, sky-defying;
Still the icy feet of the wind relentless
Walk in their meadows.
Fields that flower not, blossom in no new spring-tide;
Fields where grass nor herb nor abounding darnel
Flourish; fields more barren, devoid, than ocean's
Pasture ungarnered. {27A}
Deserts, stone as arid as sand, savannahs <<1>>
Black with wrecks, a wilderness evil, fruitless;
Still, to me, a land of the bluest heaven
Studded with silver.
<<1. Spanish term for wide, grassy plains.>>
Castles bleak and bare as the wrath of ocean,
Wasted wall and tower, as the blast had risen,
Taken keep and donjon, and hurled them earthward,
Rent and uprooted.
Such rock-ruins people me tribes and nations,
Kings and queens and princes as pure as dawning,
Brave as day and true; and a happy people
Lulled unto freedom;
Nations past the stormier times of tyrants,
Past the sudden spark of a great rebellion,
Past the iron gates that are thrust asunder
Not without bloodshed:
Past the rule of might and the rule of lying,
Free from gold's illusion, and free to cherish
Joys of life diviner than war and passion --
Falsest of phantoms.
Only now true love, like a sun of molten
Glory, surging up from a sea of liquid
Silver, golden, exquisite, overflowing,
Soars into starland.
Sphere on sphere unite in the chant of wonder;
Star to star must add to the glowing chorus;
Sun and moon must mingle and speed the echo
Flaming through heaven.
Night and day divide, and the music strengthens,
Gathers roar of seas and the dirge of moorlands;
Tempest, thunder, birds, and the breeze of summer
Join to augment it. {27B}
So the sound-world, filled of the fire of all things,
Rolls majestic torrents of mighty music
Through the stars where dwell the avenging spirits
Bound in the whirlwind ...
So the cliffs their Song ... For the mist regathers,
Girds them bride-like, fit for the sun to kiss them;
Darkness falls like dewfall about the hillsides;
Night is upon me. {end col. A}
Now to me remain in the doubtful twilight
Stretches bare of flower, but touched with whispers,
Grey with huddled rocks, and a space of woodland,
Pine-tree and poplar.
Now a stream to ford and a stile to clamber;
Last the inn, a book, and a quiet corner ...
Fresh as Spring, there kisses me on the forehead
Sleep, like a sister. {end col. B}
NOTE: - With the exception of this epilogue, and one or two of the lyrics, Crowley wished to suppress the whole of "The Tale of Archais." But it was thought inadvisable to form a precedent of this kind, as the book was regularly published. On the other hand, by adhering to this rule any poem not appearing in this edition may be definitely discarded as spurious.
SONGS OF THE SPIRIT.<<1>>
1898.
<<1. In this volume and throughout Crowley's works the visions, ordeals, etc., are, as a rule, not efforts of imagination, but records of (subjective) fact.>>
{columns resume}
SONGS OF THE SPIRIT.
"A fool also is full of words."
"Ecclesiastes."
DEDICATION
To J. L. BAKER.
THE vault of purple that I strove
To pierce, and find unchanging love,
Or some vast countenance<<1>>
All glory of the soul of man.
Baffled my blind aspiring gaze
With sunlight's melancholy rays,
And closed with iron hand the ways
That sunder space, divide the days with fiery fan.
<<1. The supreme Deity is shadowed by Qabalists in this glyph. See Appendix, "Qabalistic dogma," for a synthesized explanation of this entire philosophy.>>
Thine was the forehead mild and grave
That shown throughout the azure nave
Where Monte Rosa's silence gave
The starry organ's measured sound.
Where for an altar stood the bare
Mass of Mont Cervin,<<1>> towering there;
And angels dwelt upon the stair,
And all the mountains were aware that stood around.
<<1. Commonly known as the Matterhorn.>>
Thine was the passionless divine
High hope, and the pure purpose thine,
Higher and purer than stars shine,
And thine the unexpressed delight
To hold high commune with the wind
That sings, in midnight black and blind,
Strange chants, the murmurs of the mind,
To grasp the hands of heaven and find the lords of light. {29A}
Mine was the holy fire that drew
Its perfect passion from the dew,
And all the flowers that blushed and blew
On sunny slopes by little brooks.
Mine the desire that brushed aside
The thorns, and would not be denied,
And sought, more eager than a bride,
The cold grey secrets wan and wide of sacred books.
Thine was the hand that guided me
By moor and mountain, vale and lea,
And led me to the sudden sea
That lies superb, remote, and deep,
Showed me things wonderful, unbound
The fetters that beset me round,
Opened my waking ear to sound
That may not by a man be found, except in sleep.
Thy presence was as subtle flame
Burning in dawny groves; thy name
Like dew upon the hills became,
And all thy mind a star most bright;
And, following with wakeful eyes
The strait meridian of the wise,
My feet tread under stars and skies;
My spirit soars and seeks and flies, a child of light.
Thus eager, may my purpose stand
Firm as the faith of honest hand,
Nor change like castles built of sand
Until the sweet unchanging end.
Happy not only that my eye
Single and strong may win the sky,
But that one day the birds that fly
Heard your fair friendship call me by the name of friend. {29B}
THE GOAD.
GR:alpha-nu upsilon-gamma-rho-omicron-nu alpha-mu-pi-tau-alpha-iota-eta-nu
alpha-iota-theta-epsilon-rho-alpha pi-omicron-rho-sigma-omicron
gamma-alpha-iota-alpha-sigma Epsilon-lambda-lambda-alpha-nu-iota-alpha-sigma
alpha-sigma-tau-epsilon-rho-alpha-sigma
epsilon-sigma-pi-epsilon-rho-omicron-upsilon-sigma
omicron-iota-omicron-nu, omicron-iota-omicron-nu
alpha-lambda-gamma-omicron-sigma epsilon-pi-alpha-theta-omicron-nu,
phi-iota-lambda-alpha-iota.
EURIPIDES.
AMSTERDAM, "December" 23"rd", 1897.
LET me pass out beyond the city gate.
All day I loitered in the little streets
Of black worn houses tottering, like the fate
That hangs above my head even now, and meets
Prayer and defiance as not hearing it.
They lean, these old black streets! a little sky
Peeps through the gap, the rough stone path is lit
Just for a little by the sun, and I
Watch his red face pass over, fade away
To other streets, and other passengers,
See him take pleasure where the heathen pray,
See him relieve the hunter of his furs,
All the wide world awaiting him, all folk
Glad at his coming, only I must weep:
Rise he or sink, my weary eyes invoke
Only the respite of a little sleep;
Sleep, just a little space of sleep, to rest
The fevered head and cool the aching eyes;
Sleep for a space, to fall upon the breast
Of the dear God, that He may sympathise.
Long has the day drawn out; a bitter frost
Sparkles along the streets; the shipping heaves
With the slow murmur of the sea, half lost
In the last rustle of forgotten leaves.
Over the bridges pass the throngs; the sound,
Deep and insistent, penetrates the mist --
I hear it not, I contemplate the wound
Stabbed in the flanks of my dear silver Christ.
He hangs in anguish there; the crown of thorns
Pierces that palest brow; the nails drip blood; {30A}
There is the wound; no Mary by Him mourns,
There is no John beside the cruel wood;
I am alone to kiss the silver lips;
I rend my clothing for the temple veil;
My heart's black night must act the sun's eclipse;
My groans must play the earthquake, till I quail
At my own dark imagining; and now
The wind is bitterer; the air breeds snow;
I put my Christ away; I turn my brow
Towards the south stedfastly; my feet must go
Some journey of despair. I dare not turn
To meet the sun; I will not follow him:
Better to pass where sand and sulphur burn,
And days are hazed with heat, and nights are dim
With some malarial poison. Better lie
Far and forgotten on some desert isle,
Where I may watch the silent ships go by,
And let them share my burden for a while.
Let me pass out beyond the city gate
Where I may wander by the water still,
And see the faint few stars immaculate
Watch their own beauty in its depth, and chill
Their own desire within its icy stream.
Let me move on with vacant eyes, as one
Lost in the labyrinth of some ill dream,
Move and move on, and never see the sun
Lap all the mist with orange and red gold,
Throw some lank windmill into iron shade,
And stir the chill canal with manifold
Rays of clear morning; never grow afraid
When he dips down beyond the far flat land,
Know never more the day and night apart,
Know not where frost has laid his iron hand
Save only that it fastens on my heart;
Save only that it grips with icy fire
These veins no fire of hell could satiate;
Save only that it quenches this desire.
Let me pass out beyond the city gate. {30B}
IN MEMORIAM A. J. B. <<1>>
<<1. A maternal aunt of the poet.>>
THE life (by angels' touch divinely lifted
From our dim space-bounds to a vaster sphere),
The spirit, through the vision of clouds rifted,
Soars quick and clear.
Even so, the mists that roll o'er earth are riven,
The spirit flashes forth from mortal sight,
And, flaming through the viewless space, is given
A robe of light.
As when the conqueror Christ burst forth of prison,
And triumph woke the thunder of the spheres,
So brake the soul, as newly re-arisen
Beyond the years.
Far above Space and Time, that earth environ
With bands and bars we strive against in vain,
Far o'er the world, and all its triple iron
And brazen chain,
Far from the change that men call life fled higher
Into the world immutable of sleep,
We see our loved one, and vain eyes desire
In vain to weep.
Woeful our gaze, if on lone Earth descendent,
To view the absence of yon flame afar --
Yet in the Heavens, anew, divine, resplendent,
Behold a star!
One light the less, that steady flamed and even
Amid the dusk of Earth's uncertain shore;
One light the less, but in Jehovah's Heaven
One star the more! {31A}
THE QUEST.
APART, immutable, unseen,
Being, before itself had been,
Became. Like dew a triple queen
Shone as the void uncovered:
The silence of deep height was drawn
A veil across the silver dawn
On holy wings that hovered.<<1>>
<<1. A qabalistic description of Macroprosopus. "Dew," "Deep Height," etc., are his titles.>>
The music of three thoughts became
The beauty, that is one white flame,
The justice that surpasses shame,
The victory, the splendour,
The sacred fountain that is whirled
From depths beyond that older world
A new world to engender.<<1>>
<<1. Microprosopus.>>
The kingdom is extended.<<1>> Night
Dwells, and I contemplate the sight
That is not seeing, but the light
That secretly is kindled,
Though oft time its most holy fire
Lacks oil, whene'er my own Desire
Before desire has dwindled.
<<1. Malkuth, the Bride. In its darkness the Light may yet be found.>>
I see the thin web binding me
With thirteen cords of unity<<1>>
Toward the calm centre of the sea.
(O thou supernal mother!)<<2>>
The triple light my path divides
To twain and fifty sudden sides<<3>>
Each perfect as each other. {31B}
<<1. The Hebrew characters composing the name Achd, Unity, add up to 13.>>
<<2. Binah, the Great Deep: the offended Mother who shall be reconciled to her daughter by Bn, the Son.>>
<<3. Bn adds to 52.>>
Now backwards, inwards still my mind
Must track the intangible and blind,
And seeking, shall securely find
Hidden in secret places
Fresh feasts for every soul that strives,
New life for many mystic lives,
And strange new forms and faces.
My mind still searches, and attains
By many days and many pains
To That which Is and Was and reigns
Shadowed in four and ten,<<1>>
And loses self in sacred lands,
And cries and quickens, and understands
Beyond the first Amen.<<2>>
<<1. Jehovah, the name of 4 letters. 1+2+3+4=10.>>
<<2. The first Amen is = 91 or 7x13. The second is the Inscrutable Amoun.>>
THE ALCHEMIST
THIS POEM WAS INTENDED AS THE PROLOGUE TO A PLAY -- AT PRESENT
UNFINISHED. <<"The Poisoners," finished later, by discarded as over-Tourneuresque.>>
"An old tower, very loft, on a small and rocky islet. In the highest
chamber a man of some forty years, but silver-haired, looks out of the
window. Clear starry night, no moon. Chamber furnished with books,
alchemic instruments, etc. He gazes some minutes, sighs deeply, but at
last speaks."
THE world moves not. I gaze upon the abyss,
Look down into the black unfathomed vault
Of Starland and behold -- myself
The sea
To give a sense of motion or of sound
Washes the wall of this grey tower in vain;
I contemplate myself in that dim sphere
Whose hollow centre I am standing at
With burning eyes intent to penetrate
The black circumference, and find out God -- {32A}
And only see myself. The walls of Space
Mock me with silence. What is Life? The stars
Are silent. O ye matchless ministers
That daily pass in your appointed ways
To reach -- we know not what! How meaningless
Your bright assemblage and your steady task
Of doubtful motion. And the soul of man
Grapples in death-pangs with your mystery,
And fails to wrestle down the hard embrace
That grips the thighs of thought. And so he dies
To pass beyond ye -- whither? To find God?
All my life long I have gazed, and dreamed, and thought,
Unless my thought itself were but a dream,
A little, trouble dream, a dream of death
Whence I may wake -- ah, where? In some new world
Where Consciousness doth touch the Infinite,
And all the strivings of the soul be found
Sufficient to beat back the waves of doubt,
To pierce the void, and grasp the glorious,
To find out Truth? Would God it might be so,
Since there is nothing for the soul to love
Or cling to beyond self. My chamberlain
Once showed me a pet slave, dwarf, savage, black,
A vile, lewd creature, who would cast a staff<>
Far wheeling through the air: -- 'twould suddenly
Break its swift course, and curving rapidly
Come hard upon himself who threw. Even so
These vile deformities -- our souls -- cast forth
Missiles of thought, and seek to reach some end
With swift imagining -- and end in self.
What sage <
He sees cast dimly on a bank of cloud,
Thrice his own size? And I whose life has been
["Cry without." {32B}
One bitter fight with nature and myself
To find Him out, turn, terrible, to-night
["Cry without."
To see myself -- myself -- myself.
["Cry without."
Hush! Hark!
Methought I heard a cry. The seamew wails
Less humanly than that -- I will go down
And seek the stranger.
["Making as to leave room."
E'en this rocky isle
Shall prove a friend --
"A Voice." <
"Philosopher." Again! Is this
The warning of a mind o'er-strained?
["Moving towards door."
"Voice." Stand still
And see salvation in Jehovah's hands.
"Ph." Is this the end of life?
"Voice." Thy Life begins.
"Ph." Strange Voice, I hear thee, and obey. Perchance
I have not lived so far. Perchance to-day,
Like a spring-flower that slowly opens out
Its willing petals to the tender dawn,
My soul may open to the knowledge of
A dawn of new thought that may lead --
"Voice." To God.
"Ph." Hope hardly dared to name it!
"Enter" Messenger.
"Mess." My lord, the king's command!
"Ph." I heed it not.
See thou disturb not my high meditation.
Away!
"Voice." With meditations centred in thyself.
"Mess." Who spoke?
"Ph." Speak thou. I obey the king.
"Mess." My lord,
He bids thee to his court, to hold the reins
Tight on the fretful horses of the state
Whose weary burden makes them slip -- nay, fall
On the stern hill of war. Thou art appointed, {33A}
Being the wisest man in all the realm,
(So spake the king) the second to himself --
"Ph." Thy vessel waits?
"Mess." For dawn.
"Ph." Then hasten thee
To tell them I am ready. The meanwhile
I will devote to prayer.
"Mess." At dawn, my lord.
["Exit" Messenger.
"Ph." ["Turns to window."] O makes and O Ruler of all Worlds,
Illimitable power, immortal God,
Vague, vast, unknown, dim-looking, scarcely spied
Through doubtful crannies of the Universe,
Unseen, intangible, eluding sense
And poor conception, halting for a phrase
Of weak mind-language, O Eternity,
Hear thou the feeble world, the lame desire,
The dubious crying of the pinioned dove,
The wordless eloquent emotion
That speaks with a man, despite his mind!
Hear, who can pray for naught, unknowing aught
Whereof, for what to pray. But hear me, thou!
Hear me, thou God, who fettered the bleak winds
Of North and East, and held in silken rein
The golden steeds of West and South, who bade
The tireless sea respect its narrow bounds,
And fixed the mountains, that eternal ice
Might be thy chiefest witness, and who wove
The myriad atoms of Infinitude
Into the solid tapestry of night,
And gave the sun his heat, and bade him kiss
The lips of death upon the moon's dark face,
So that her silver lustre might rejoice
The fiery lover, the sharp nightingale,
And those pale mortals whom the day beholds.
Asleep, because the many bid them slave {33B}
From dusk to dawn being poor; and braided up
The loose hair of all trees and flowers, and made
Their one white light divide to red and green
And violet <
and the hues innumerable
Lesser than these, and gave man hope at last
With the invariable law of death
Abundant in new life, and having filled
The world with music, dost demand of us
"Is my work meaningless?" O thou, supreme,
Thou, First and Last, most inconceivable
All-radiating Unity, thou sphere
All-comprehensive, all-mysterious,
Spirit of Life and Death, bow down and hear!
["Bends deeper and prays silently. The flame grows duller, and
finally leaves the room in absolute darkness. Curtain."
SONNETS TO NIGHT.
I.
O NIGHT! the very mother of us all,
For from thy hollow womb we childre